Free Daily Podcast Summary
Buddhist Geeks: Daily Summaries Delivered
by BuddhistGeeks.org
Evolving Dharma in the Age of the Network
Latest Episodes
The most recent episodes — sign up to get AI-powered summaries of each one.
- 1 weeks ago53 min
Working Class Dharma
Vince Fakhoury Horn speaks with Mushim Patricia Ikeda about working class dharma—from growing up as "the minority of Greensburg, Ohio" in a third-generation Japanese American family, to training in penniless Korean Zen temples where renovating the building was the practice. Along the way: bliss bunnies, samadhi junkies, mutual aid networks, and why affordability may be the grassroots issue of 2026.💬 TranscriptVince Horn: Okay. So yeah, I think it was really the beginning of this year — I was teaching a retreat in Portugal with a friend. It’s our annual Pragmatic Dharma retreat. And while I was there, I had picked up recently this book called Emergent Dharma, by Dr. Sharon Suh, and I scrolled through the chapters, and I looked, and I went straight to yours, and I read it.That was the first thing I read, and I just loved hearing about your story. For me, some of the coolest part about the Dharma is hearing people’s, like, stories and their biographies and, like, their real lived experience of the Dharma, and I just felt that in your story in the chapter there — you’re talking about how you were raised, and your family, and where you came from, and how you started engaging with Buddhism, and just the whole story there, that I’ve heard now more of since I’ve gotten to know you better over this year.And really, I was just hoping we could talk about, you know, your story in part here, because the theme is working class Dharma. And when we last spoke, we decided that was a good kind of place to focus some of the conversation. But a lot of it is about your experience, really.Like, what does it mean to live in the, quote-unquote, working class in the modern world, and to also be a Dharma practitioner? And how different is that in a heritage Asian ethnic tradition than in a white convert tradition, which is more how Emily and I have come up? I think that’s an interesting conversation too, because now we’re talking about class and ethnicity — two different dimensions that are often interwoven, or braided.So anyway, could you share a bit about your story, Mushim? I know you come out of the Zen tradition, both in Japan and Korea, but how did you get into this? Was it a family tradition, or is it something that you came back to explore — like, the roots of your family’s tradition — later?Mushim Ikeda: Yeah, thank you so much, Vince. So I was born in Cleveland, Ohio in 1954, and I am, by our system — meaning Japanese Americans, by our system — a third-generation Japanese American. We count the first generation to be the immigrants, so those were my grandparents on both sides, and they’re the Issei — “ichi,” meaning one.My parents were the Nisei, meaning they were both born in the United States, and they were the Nisei — “ni,” two. Three is “san,” so I am Sansei, or third-generation Japanese American, by how we count. I was born in Cleveland, grew up in Ohio, because that’s where my father’s work took him. And we grew up very working class.In Cleveland, when I was born, my father sold Wear-Ever pots and pans from door to door, and then he got a job inspecting fruit and vegetables — perishables that were being shipped on the railroads — working for an independent company called the RPIA, Railroad Perishable Inspection Agency.And that took us down to the rural area between Akron and Canton, going a little bit toward the middle of Ohio, south of Cleveland. And most of my classmates in the public schools that I attended — I would say the majority of them were children of people from West Virginia who came north to Akron, then the tire capital of the world.Goodyear, Firestone, Seiberling — they were all there, along with Quaker Oats, which produced a very interesting smell when the wind wafted from Akron our way, with a mixture of burning rubber and toasted oats. That was the smell of my childhood. And the air pollution was incredible, producing magnificent sunsets. And that’s where I grew up. So my classmates were children of the tire factory workers for the most part, as well as some were children of the remnants of the dairy farms, the cow pastures in that area that were gradually turning into suburban housing tract lands and so forth.That was my childhood. We were in an all-white community, except for us. One of my teachers used to call our family “the minority of Greensburg, Ohio.” And at home, we had a very strong sense of who we were. We were Japanese American. We were not Japanese. We were certainly not white or middle-class Americans.We were working-class Japanese Americans. And little by little, my parents wanted us to go to college. They rose into the lower middle class, then vaguely towards the middle middle class. However, I realized
- 2 weeks ago31 min
The Fourth Turning of the Wheel
In “The Fourth Turning of the Wheel,” Vince Horn traces the Three Turnings of the Wheel of Dharma from early Buddhism to Tibetan Vajrayana, then argues we’re living through new turnings right now—the modern, postmodern, and metamodern waves of Buddhist practice—and asks what it takes to hold them all.Get access to the full Modern Buddhisms training cohort by joining the Pragmatic Dharma Sangha.💬 TranscriptVince: So Modern Buddhisms — this title’s really in part inspired by my time at Naropa University. I should just say that up front, because being there for about four years or so in the mid-aughts really influenced me as a Dharma practitioner and then later as a teacher. When I started teaching, of course, my view had already been really molded and shaped in the halls of Naropa, you could say.Naropa was founded by a Tibetan Buddhist teacher named Chogyam Trungpa Rinpoche, who’s quite both famous and infamous for his influence on American Dharma. When I was a student at Naropa, one of the core offerings in the Religious Studies department, which is where I spent most of my time and where I got my degree, was called the First Turning, the Second Turning, and the Third Turning — the Turnings.There was a class on each one of them. I took the First Turning with Judith Simmer-Brown, who was an acharya, a teacher in that lineage, and a professor at Naropa. And it was cool to really learn in an in-depth way over six, seven months — a college class, you’re writing papers and reading a stack of books — in more depth about the tradition that I was in love with.And seeing it from the point of view, in this case, of this Tibetan model called the Three Turnings. As I said, Chogyam Trungpa was Tibetan, so this model was influential and informed a lot of the curriculum at Naropa. The Tibetan model of the Three Turnings emerges later in the evolution and history of Buddhism.So to talk about modern Buddhisms, we of course have to talk about historical Buddhisms too. We can’t just skip to the modern era — unless we’re being really hyper-modern, then we would. Then we’d be like, “Oh, yeah, it all began today. Here we are.” No. We’re going to actually kind of try to trace this back a little bit.And of course, this is such a huge area, with so much history and so many people involved, and I’m going to totally do it injustice by compressing things and making big, broad points and claims. So I just want to kind of apologize for that upfront. It’s kind of one of the things you unfortunately have to do to talk about a topic that’s so broad and make any sense at all, I think.So I’m going to try to make some sense without shredding apart reality here too badly. The way I understand it, and understood it then at Naropa, is that early Buddhism starts with the historical Buddha Siddhartha Gautama in Northern India, Nepal — modern-day Nepal. And there’s a particular kind of flavor to that early Buddhist philosophy, even as it starts to become diversified into many different schools.There were, like, 17 schools of early Buddhism intact at one point in India, just kind of all competing for meme share. And what we have now that’s kind of extant, that’s currently evolved from there, is just one of those 17 schools that came through: the Theravada school of early Buddhism.They called it the Path of the Elders, which is where most of my teachers had trained, in that lineage. This becomes known as early Buddhism, or what the Tibetans would later call the first turning of the wheel — the First Turning dharma. And why is it called the first turning? Because this is when the Buddha first taught his unique approach — what we call Buddhism now.And the wheel represents the teachings that the Buddha gave, the core of the teachings, which are the Noble Eightfold Path, sometimes compressed down to or simplified as the three trainings, the Threefold Training. The Threefold Training in what? In Ethics or Morality or Virtue, in Concentration, Meditation, and in Insight, Wisdom.These are the things that the Buddha taught, and this is the unique collection of trainings that made it Buddish. This is how you know the Buddish pattern, when you see these eight represented as the Threefold Training and this sort of unique constellation and specific ways of looking at things.In the Eightfold Path, we have two in particular that are quite important here, which are Right Intention and Right View. This is how we see and do the thing. This is how we’re seeing and doing it.So in early Buddhism there’s a particular view and intention that goes along with that view. The intention is to put an end to suffering. And the view is that it’s possible. Suffering does exist, but it’s possible to experience a cessation of suffering. The end of dukkha.And there’s a path that you follo
- 3 weeks ago30 min
The Cost of Silence
In “The Cost of Silence,” dharma teacher Vince Horn and guest Daniel Klein trace what it costs us—psychologically, relationally, economically, and spiritually—to withhold the truth, arguing that the small silences of the dinner table are the same debt that scales into complicity with collective harm, asking what it takes to finally stop paying it.💬 TranscriptVince Horn: So, welcome back to the Insight Diaspora. I’m your host, Vince Fukuri-Horn. Good to be here with you again in this exploration of ... I don’t know, what is it exactly we’re exploring here, Daniel? You have to tell me.Daniel Klein: I think it’s going to be an emergent phenomenon.Vince Horn: Great. Okay. Another of those emergent phenomenons. So, no, looking forward to this conversation genuinely. We are talking about the cost of silence today. And for a little background, Daniel and I had a conversation prior to this that we aired through Buddhist Geeks, and it was called The Cost of Truth. And there we were sharing some reflections from both of our experiences, in very different positions, in this sort of Israel-Gaza — I don’t even know what to call it anymore — kerfuckle. This situation is just terrible. We’re coming at it from different places, but both had this experience of speaking up and saying things that weren’t super welcome by our social groups. And so we’re talking about the cost of that, and what happens when you speak up even though it’s not really welcomed.Today we want to explore the other side of that equation, which is the cost of not speaking up, because we also both have had that experience as well. And it’s not like we suddenly woke up one day and were like, “Okay, I’m going to speak the truth about everything, no matter what.” We’re both social humans, so we have gone through a process of learning how to speak what’s true for us. And I imagine Daniel, like myself, is still going through that process. So we wanted to talk about that today. And also, just before we jump in, I want to say a word about generosity. I’m not a huge fan of the generosity talks and Dharma things. I’ll be honest with you. It always felt weird and cringey to me. Now that I’m on the other end of it, it’s a different matter, of course. And Emily was reminding me that the Buddhist teachings start with the practice of generosity. If you look at the 10 perfections, the 10 Paramis, which are these 10 things we’re cultivating on the path, the first one is generosity.So it’s sort of foundational. And it’s foundational to this project as well. We’re doing this out of the generosity of our own hearts. We’re organizing this and having these conversations and wanting to talk about things that are not super comfortable sometimes, or popular. And we’re putting a lot on the line to do that. And we’re asking, for folks that find this valuable, to meet us there, and to see generosity as a mutual process. And so, with that in mind, I just wanted to highlight that there are really two ways, in terms of financial support, that you could consider supporting us today.One is by supporting this project directly, the Insight Diaspora, which runs through the Buddhist Geeks organization, which is an educational nonprofit. There’s a link in the chat if you wanted to become a supporting member of this project; you could do that. That money goes directly to supporting our guests. We donate to our guests to support their livelihood, and it supports us as organizers as well. And then I also wanted to highlight this organization that Daniel’s associated with. Each of these meetings, we want to highlight good organizations that are doing good work in the world. And so I wanted to mention the Soulforce Project, which promotes social justice using music and the arts. And I thought maybe, Daniel, if you could say something about this, because I know they’re your friends. Maybe what the Soulforce Project is about.Daniel Klein: Well, one of the ways that I describe them is that they’re doing the work that we’re doing, but they’re operating at the level of arts and culture. So how do we promote deep transformational work in the field of liberation and collective liberation by bringing together world-class musicians to facilitate these experiences? Run by an amazing, amazing sitar player—Vince Horn: Hmm.Daniel Klein: —who I’ve done a couple events with actually in my own home. So he’s a dear friend.Vince Horn: Okay. And is this a California-based organization as well?Daniel Klein: Yeah, Altadena.Vince Horn: Okay. Great. Awesome. And just for context, you’re based in southern California, I believe?Daniel Klein: Yes. Yeah, Los Angeles.Vince Horn: Yeah. Sorry to hear that. Having lived in Los
- Jun 26, 202637 min
Dharma & Empire
In “Dharma & Empire,” Mary Thanissara and Vince Fakhoury Horn trace how the structures of Empire occupy not just land but the psyche—moving from their own Irish, Palestinian, and colonial family histories to Gaza, climate, and class—and ask what a more revolutionary Dharma might require of practitioners right now.💬 TranscriptVince Horn: So Thanissara, thank you again. Great to be here with you.Thanissara: Likewise, likewise. Really, really thrilled to plunge into this Insight Diaspora. That was a brilliant capturing of our wandering, homeless group.Vince Horn: Yes, indeed. I was curious too. I know you started off in the Ajahn Chah tradition — in the Thai Forest Tradition — as a nun in the ‘70s, and I think you were a nun for like 12 years, when I was reading. So that’s a long time.Thanissara: Yeah.Vince Horn: Do you consider yourself part of the insight meditation tradition, or were you coming up at the same time that that whole thing was coming up?Thanissara: I’ve never really designated a category for myself, other than a Dharma practitioner in quite a broad sense. And having said that, most of the development of my practice has been guided through, first of all, the U Ba Khin lineage, which was transmitted to Goenkaji — those teachers were my first teachers from Burma, Myanmar. And then through Ajahn Chah, and that was a very pivotal formation of my practice, because I was young and very shaped by that lineage and the premise that they were teaching from. And then since leaving the robes, I’ve almost entirely taught and practiced within the lay insight world. That’s been a constant adaptation and inquiry, and not a particularly easeful landing. Well, none of it’s been an easeful landing, because it’s all in transition and having to be translated on so many levels. So I guess there’s no end to that in the Dharma.Vince Horn: That really fits with how I’ve interpreted your work from afar for many years. I’ve always heard you and Kittisaro’s name mentioned together, and I’ve heard about the work you’ve been doing in South Africa and other places with activism. It has always felt like it’s been a little bit on the emerging edge of the insight tradition. You’re not quite inside, but you’re not outside either. You’re influencing but not quite. You all seem to be strange attractors in this community. And I mean that in the best possible way.Thanissara: No, it’s a good position to be in, I think, in terms of having space from having to conform, and also being able to help shift some of the parameters of what’s allowed to be discussed or what the Dharma is, from within. Also relationship to the folks that I’ve grown to know so well in that movement — having taught a lot or discussed things over many, many years. So there’s a relationship where both being in and out is an awkward reality.Vince Horn: Yeah, and I can relate to that.Thanissara: A sense of tension around that, and creativity maybe.Vince Horn: Yeah, it’s like generative tension sometimes, and other times it’s just tension. That’s my experience anyway of what you’re describing.Thanissara: Yeah, totally.Vince Horn: So we spoke recently for the first time privately, and I think it was interesting to me that the first thing we got into was our family histories. It seemed like there’s no way to really avoid talking about that. Not that I want to at this point, but we both share ancestry from the UK, from Ireland, and I know your family moved at some point to London as well. You mentioned to me that your dad was in the military and that he was posted at some point in Palestine, I believe it was.Thanissara: Yeah. Well, he was a teenage conscript. But he was trying to really escape the poverty that he grew up in, in the tenements of Dublin — which were quite infamous, and still somewhat, although they were closed down in the 1960s. And the oppression, I think, that he felt, even though Ireland was in a process of liberating itself post the 1916 uprising, and then the liberation that started about when he was born, really, 1925 or so. But it wasn’t very liberated for him. So it’s complex, and I think that’s one of the very interesting things about being both colonized, and yet shape-shifting to find a way out through becoming part of, at that time, the war effort of the Second World War. Which was a movement of idealism, but it was a movement of some feeling of needing to break set from not only the economic oppression, but the religious oppression that he grew up under. Of course, the Catholic Church was both extremely oppressive, and it was also the place that people went to for support, to find solace from this unrelenting violence and oppression that had gone on for so long in Ireland under the British. So in that process, he was posted to Palestine and around many places in the so-called Middle East. And I didn’t re
- May 7, 202613 min
The Most Slept-On Meditation Object
In “The Most Slept-On Meditation Object,” Vince Horn introduces the kasina — the visual concentration object that dominated Early Buddhist practice yet is barely used today — and lays out a 12-week curriculum that maps color & elemental kasinas onto the full arc of the eight jhānas, and then finishes with the technodelic practice of breath kasina. Interested in the topic?Sign-up for free the KASINA web applicationor join us for a live training in the Pragmatic Dharma Sangha💬 TranscriptVince Horn: So welcome to Kasina. The backdrop for this practice, as you all know — this is really meant to be a concentration-based practice. So when I zoom back out to kind of the bigger picture for me, looking at all the different ways we could meditate, this is one technique that is part of the approach that I would just simply call concentration.And concentration for me is the practice of bringing attention to a single point, the result of which is unification. We become one with the point of focus. We become fused or merged, you could say, with the object. Of course, there’s a gradual process by which that happens. It’s not that we instantly merge, although sometimes that can happen.And the kasina in this case is a visual orb or a circle. It is literally a visual point. It literally translates — the word — into English as All, Whole, or Complete. That’s the meaning of the term kasina. And it occupies a really important place in the Early Buddhist tradition.It’s listed in the Visuddhimagga, which is an important commentary, a commentarial text that was written a thousand years after the time of the Buddha, but is kind of like a super hardcore nerdy meditation manual. In that manual, it lists 40 different meditation objects that you can use to train your concentration, and to go deep in concentration. And a full quarter of these 40 are these visual kasina objects.So it’s literally the most common object you’d see in the Early Buddhist tradition. And yet you’ll notice in modern times, it’s one of the least commonly used. So that’s quite interesting. I think because of that, kasinas are one of the most slept-on meditation objects in modernity. We’re somehow not tapping into the tremendous power of using the visual processing systems that we all are born with, which actually dominate our nervous system.Looking into this, researching this, I found out 30 to 40% of the brain’s cortex is wired for vision. Compare that to hearing, which is only 3 to 5%. We are deeply visual beings. Under typical conditions, actually, vision uses 5 to 10 times more bandwidth than touch, which is the second most bandwidth-intensive sense.Neurobiologically, we are actually deeply wired to see. And also from a neurobiological perspective, circular orbs make really good concentration objects, and there seem to be a few reasons for this that I’ve been able to kind of detect.One is there’s a really similar parallel between our eyes and the shape of our eyes and the shape of the kasina. Your retina is basically circular, and lenses in our eyes focus light in concentric rings, so the round shape of the kasina maps neatly onto the geometry of our eyes.And like I said earlier, so much of our brain is actually wired for visual processing, and the early visual neurons are tuned to detect edges and symmetries. In the visual processing, that’s among the first things that happen — we detect edges and symmetries. Circles, of course, are pure symmetry, so there are no sudden directional shifts when you’re looking at a circle. The signal is much more clean and predictable. This is another reason I think the kasina is such a powerful object.We also have to consider how attention — human attention — has evolved. Here, smooth, continuous boundaries tend to stand out against jagged, natural edges. Think rocks, branches, trees.So if you see things like berries or fruits or faces, the Sun, the Moon — all of these natural objects that humans have been evolving with — we evolutionarily can reward these things with quick detection, because they’re important for our survival.And then finally, I just note that when you’re resting your attention on a circle, there’s no privileged starting point.There’s no point at which your attention can look and be like, “Oh, that’s the point that you start with.” So your eyes don’t keep darting to all the angles and ends. Actually, they kind of do. I’ll share from my own experience: I’ve noticed, as I rest my attention in the kasina, if you get focused, you can actually start to see the
- May 4, 20267 min
Focusing on the Fire Kasina
In Focusing on the Fire Kasina Vince Fakhoury Horn introduces the Fire Kasina meditation practice, emphasizing the primacy of concentration and the recursive process of learning through focused attention on a candle flame.Interested in the topic?Sign-up for free the KASINA web application or join us for a live training in the Pragmatic Dharma Sangha💬 TranscriptVince: All right, so today we’re going to be diving into the practice of the Fire Kasina, and I’m excited to share this with you in part because it seems like it was a really important part of my own teacher’s practice—my first meditation teacher, Daniel Ingram. When I was reading his book for the first time, I remember him talking about how he went on retreat and worked with the candle flame at the end of a long vipassana retreat.Later on, that story was shared again in the beginning of a book called The Fire Kasina, which I’d recommend. It was a conversation—a dialogical book—between him and Shannon Stein, an experienced meditator who was talking to Daniel during her own replication of his long Fire Kasina retreat practice. It gives some great instructions in that book—a good overview of the practice and the kind of stages that one can go through. Not universal, perhaps, but fairly common. It also gives some really good, basic, practical pointers on how to do concentration practice.And this is one of the two frames that I’d like to share today in exploring the Fire Kasina, because I think it’s useful. I’m going to start here and then loop back around, because it’s so important that it bears returning to.So here’s what Daniel said in The Fire Kasina book to Shannon, as she asked for basic instructions on how to do the Fire Kasina. He said, “Concentration on what is happening is more important than what is happening.”What does that mean? It seems pretty simple in a way, but it’s deceptively simple, because we just seem to keep forgetting this important point when we do the practice.So what does it mean to me? “Concentration on what is happening” means that what we’re focusing on is more important than whatever is happening there.So if we’re focusing on our breath—the classic meditation object—then whatever’s happening with the breath is what’s happening. We could think, “Oh, I wish my breath were really soft and gentle,” or, “I wish my breath had stopped, because I heard that when it stops, that’s a good sign of concentration.”Okay, cool—but what is actually happening? Because what might be happening is you might be thinking about your breath instead of noticing your breath. This is the simple way we get lost in concepts about what’s happening instead of being with our meditation subject.So: concentration on what is happening is more important than whatever’s happening. That’s the most important thing to remember.What does that mean in terms of Fire Kasina? Here, I think it’s really useful to consider that whatever you’re seeing is what you’re seeing. You may be looking at a candle flame, and you may see all kinds of things—eyes open or eyes closed.In the guided practice to come, I’ll offer instructions for both. When that’s happening, it’s important to just remember: whatever you’re seeing is what you’re seeing. That’s what’s happening. It might be really clear and vivid, which makes it easy to see. Other times it might be unclear, murky, dull, or hazy—and that’s what’s happening. That’s what you’re seeing. Concentration on what’s happening is more important than what’s happening.The other thing that’s useful to remember in this practice is something John Vervaeke, the professor from Toronto, said: “Evolution is revolution with change.” Evolution is a process where we take something that we go through again and again—a recursive process—and something changes in the recursion.With learning and doing a practice like this, what’s the recursion? It’s the concentration feedback loop. It’s the loop we go through every time we work on strengthening our concentration. We select an object and engage with it—in this case, the candle flame. Then at some point, our mind fragments or we get distracted and lose clarity around what’s happening. We have to recognize that, remember to return, and we do that—we come back.That’s the basic feedback loop: we engage with an object, we get distracted or fragmented, we recognize that’s happened, we recollect, and we return all of ourselves back to the meditation subject. In this case, back to the candle flame. If you’re working with the afterimage and get lost with eyes closed, you can always return,
- Apr 29, 20266 min
Access Concentration and the Kasina
In Access Concentration and the Kasina, Vince Fakhoury Horn explains how kasina meditation cultivates stable attention by letting a visual object fill awareness until it naturally enters the foreground of experience into a state known as access concentration.Interested in the topic?Sign-up for free the KASINA web application or join us for a live training in the Pragmatic Dharma Sangha💬 TranscriptVince: There is this really important idea in the Buddhist meditative tradition. It doesn’t come online until, I don’t know, a thousand years into the Buddhist tradition’s evolution, but it’s still an important concept today, which is the idea of Access Concentration.And the idea of “Access” simply means that when we get into the state, we then have access to the jhānas. That’s why it’s called Access Concentration. But it’s a little weird and abstract. So for me, I simplify my own definition of what this means. For me, it’s very simple: it’s when the meditation object—the thing you’re focusing on—moves into the foreground of your experience, and distractions and other things that are pulling you from that move into the background.So it’s a flip—a foreground-background flip of attention. And it doesn’t mean that there aren’t other things that grab your attention. It doesn’t mean that you can’t get lost. Of course, you can fall out of the state; something else can grab your attention and have most of it.But the basic idea here, with the kasina—since we’re using a visual orb as our focal point—is that when we’re in Access Concentration, it means the kasina has most of our attention. Of course, it’s not always easy to know when it has most of your attention, but you can just get a feel for it when you work with the kasina. When does it feel like most of your attention—if you have 100% of your attention available—is in the kasina, is present there in the orb, and less than 50% is elsewhere: in your body, with the surrounding environment, with thoughts and feelings that are coming up that don’t have to do with the kasina?If you’ve got at least 50% of your attention on the kasina, then you’re in Access Concentration. And it feels different because it’s, again, foregrounded—it’s got the main position in your attention. Foreground and background is, of course, a visual analogy, and here it really works well talking about the kasina, because it’s a visual object.What does it mean for a visual object to be in the foreground of your experience? It doesn’t necessarily mean that it grows and grows until it visually takes up more than 50% of your visual experience—although that’s one possible way it could look. It’s not just about the percentage of your visual experience the kasina takes up; it’s the percentage of your attention that it fills up.Something very small can fill up our entire attentional field. Usually in meditation, the first object that’s taught in most traditions, I’ve noticed, is focus on the breath at the nostrils. That’s a small point of attention—it’s very small if you think about it, especially compared to a bigger circle. And still, if we focus on something, if we bring our attention to it, it fills up our attention.If you think about it, subject and object in concentration practices—the subject is the one who’s paying attention, the object is the thing we’re paying attention to. What happens as you pay more attention to something? Your attention gets closer to the object, right? That’s how we describe it. Our attention actually gets closer—even if we don’t move, our body doesn’t move, our attention can actually zoom in on things. It can zoom in and zoom out with attention, and when we get really interested in something, we zoom in on it and often exclude everything that’s not that.So here, that’s what’s happening with the kasina. The kasina object doesn’t necessarily have to change for it to fill our attentional field. It doesn’t have to be big; it could be small. We’re going to actually work with a meditation soon here where we just find the sweet spot: how big does the kasina need to be in relation to me—the subject, the one that’s paying attention to it? What is the sweet spot in terms of the size of the kasina? What is the right size? We’re going to explore that in a guided meditation.And then we’re also going to look at what’s the sweet spot in terms of how we’re attending to the kasina. There’s this whole notion in Buddhist meditation of “not too tight, not too loose.” I’m sure you’ve heard that story—the Buddha talking to the lute stringer, and the lute stringer explaining, “
- Apr 1, 202613 min
Metta & Compassion Vibes
In “Metta & Compassion Vibes,” Emily Horn explores the crucial difference between befriending difficulty through metta and the deeper, boundary-dissolving willingness of compassion to actually meet suffering — and why that meeting sometimes sounds like a fierce and loving no.☸️ The Ten PāramīsYou’re invited. to join Emily Horn in a practical exploration of The Ten Pāramīs: Ten Trainings for a Liberated Life this April.Become a member of the Pragmatic Dharma Sangha, and gain access to both live cohorts. Or you can join the kick-off session, on either of these dates, to see if it’s a good fit: * 📅 Wednesday, April 22nd @ 12pm ET* 📅 Thursday, April 23rd @ 5pm ET 💬 TranscriptEmily: Sometimes when I sense into compassion, one of the things that comes up for me is this all-or-nothing kind of sense — where it is like compassion is here or it is not here — this binary kind of experience. All or nothing. I just want to invite that if it is here for us, it is like where I can have compassion for that person, but I cannot have it for myself.That is another kind of all or nothing. So there are these different kinds of barriers — we could call them barriers to compassion — that start to arise when we incline. And we have been working with loving kindness. Metta, metta, metta, metta. So perhaps sense into inclining to metta for a moment.Metta. Metta, this sense of befriending. And I have been sensing into that quality of befriending. It is a very difficult world. Humans are being everything on the spectrum to each other at this moment. There is a lot of cruelty.And there is a lot of love.So when I sense into metta, there is this sense of, okay, befriending even the cruelty. And that is a big ask. That is a big ask. And what does that even look like? Metta is a sense and a vibe — it is not a prescription for any kind of action, right, first of all. Now where compassion comes in for me, and where that inclination is important, is in the world and in our lives and in our relationships, and even with ourselves. We can have a sense of befriending, like welcoming. But then for me, it can get like, okay, I can befriend and welcome, but I am going to keep it over there. All right, I am going to keep it over there. I am going to keep you over there. I am even going to kind of see this sense of anger or agitation in myself, and I am going to kind of witness it. It is still going to kind of be over there in my experience — in here, over there.Now as metta grows, that sense of boundary can dissolve. But here is where I want to bring in compassion, because to me, when I incline to compassion, you can sense into this. May compassion arise. There is this sense of boundary shift, so that whatever is painful, that has been — in the moment — befriended enough, just befriended enough to start to sense into compassion. Compassion is going to require me in a lot of ways to merge with that sense of pain, difficulty, even if it is just for a moment. There is a sense of meeting it, right?With compassion, we meet suffering. And in some ways that sense of who is it that is really meeting it — we might not recognize it in the moment if it arises. Compassion in itself is a boundless state. It is not going to have a sense of boundary.We might not recognize that until after. Okay? We might explore compassion in a way that requires us to remember with mindfulness what it was like to experience it. But compassion requires me to meet the suffering, whether it is arising internally, externally, and then sometimes it will shift where it is like both internal and external. All right.These are the concepts that start to be used to describe this energetic — remember the vibe that we are sensing into as we explore these states. It is like, what is the vibe that comes with it? In the Pali language: metta, compassion, loving kindness. So the sense of befriending, and then this willingness — compassion asks us to meet it. To meet the suffering.Now, it might be helpful to just remember: when we say suffering, what is it that we mean? What do I mean by suffering? All right, what is this? And there is so much of it, so many different flavors of it. With compassion, there is this genuine sense of — there is a willingness to see it. To meet it. Then even if it is conscious or not, a movement towards the alleviation of it. And that is really important. It is like the alleviation of it. And the alleviation of it might be in the form of a no. All right. So compassion might lead us into the action of no — no,
About Buddhist Geeks
Evolving Dharma in the Age of the Network
Customized Recaps
AI-powered recaps with compact key takeaways, quotes, and insights.
Straight to Your Inbox
Get key takeaways from Buddhist Geeks in a 5-minute read.
Save Hours Every Week
Stay current on your favorite podcasts without falling behind.
Frequently Asked Questions
What is Podzilla's Buddhist Geeks daily summary?
It's a free AI-powered email that summarizes new episodes of Buddhist Geeks as soon as they're published. You get the key takeaways, notable quotes, and links & mentions — all in a quick read.
How does the Buddhist Geeks podcast summary work?
When a new episode drops, our AI transcribes and analyzes it, then generates a personalized summary tailored to your interests and profession. It's delivered to your inbox every morning.
Is this an official Buddhist Geeks product?
No. Podzilla is an independent service that summarizes publicly available podcast content. We're not affiliated with or endorsed by BuddhistGeeks.org.
Can I get summaries of other podcasts too?
Absolutely! The free plan covers up to 3 podcasts. Upgrade to Pro for 15, or Premium for 50. Browse our full catalog at /podcasts.
How often does Buddhist Geeks release new episodes?
Buddhist Geeks publishes biweekly. Our AI generates a summary within hours of each new episode.
What topics does Buddhist Geeks cover?
Buddhist Geeks covers topics including Religion & Spirituality, Spirituality, Buddhism. Our AI identifies the specific themes in each episode and highlights what matters most to you.
Start getting Buddhist Geeks summaries tomorrow morning.
Free forever for up to 3 podcasts. No credit card required.
Free forever for up to 3 podcasts. No credit card required.