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Close Readings: Daily Summaries Delivered
by London Review of Books
Close Readings is a multi-series podcast from the London Review of Books. Two contributors explore areas of literature through a selection of key works, providing an introductory grounding like no other. RUNNING IN 2026 'Who's afraid of realism?' with James Wood and guests 'Nature in Crisis' with Meehan Crist and Peter Godfrey-Smith 'Narrative Poems' with Seamus Perry and Mark Ford 'London Revisited' with Rosemary Hill and guests Bonus Series: 'The Man Behind the Curtain' with Tom McCarthy and Thomas Jones ALSO INCLUDED IN THE CLOSE READINGS SUBSCRIPTION: 'Conversations in Philosophy' with Jonathan Rée and James Wood 'Fiction and the Fantastic' with Marina Warner, Anna Della Subin, Adam Thirlwell and Chloe Aridjis 'Love and Death' with Seamus Perry and Mark Ford 'Novel Approaches' with Clare Bucknell, Thomas Jones and other guests 'Among the Ancients' with Emily Wilson and Thomas Jones 'Medieval Beginnings' with Irina Dumitrescu and Mary Wellesley 'The Long and Short' with Mark Ford and Seamus Perry 'Modern-ish Poets: Series 1' with Mark Ford and Seamus Perry 'Among the Ancients II' with Emily Wilson and Thomas Jones 'On Satire' with Colin Burrow and Clare Bucknell 'Human Conditions' with Adam Shatz, Judith Butler, Pankaj Mishra and Brent Hayes Edwards 'Political Poems' with Mark Ford and Seamus Perry 'Medieval LOLs' with Irina Dumitrescu and Mary Wellesley
Latest Episodes
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- 1 weeks ago16 min
Who’s afraid of realism? ‘Seize the Day’ by Saul Bellow
‘Seize the Day’ was published in 1956, but its grammar of realism was barely changed from that deployed in ‘Madame Bovary’ exactly a hundred years earlier. The precise details, the free indirect style and the use of leitmotif all reveal Bellow as a keen student of Flaubert and the 19th-century realists. Yet his novella about a disastrous day in the life of the sloppy, jobless 44-year-old Tommy Wilhelm also bears the intervening influence of modernism, not least in its opening section in which, for twenty pages, our hero simply stands on the street thinking about his life. In this episode, James Wood discusses the Bellovian prose style with its Melvillian love of words and biblical undertones, and explores the book’s evocation of a postwar Manhattan imbued with masculinist conventionality. Non-subscribers will only hear an extract from the episode. To listen in full, and to all our other Close Readings series, sign up: Apple Podcasts: https://lrb.me/applecrwaor Other podcast apps: https://lrb.me/closereadingswaor Read more in the LRB: Saul Bellow talks to Melvyn Bragg: https://www.lrb.co.uk/the-paper/v04/n08/melvyn-bragg/in-conversation-with-melvyn-bragg-saul-bellow-talks-about-his-new-novel-and-about-the-women-of-eastern-europe Andrew O’Hagan on Saul Bellow’s letters: https://www.lrb.co.uk/the-paper/v33/n01/andrew-o-hagan/they-don-t-say-that-about-idi-amin James Wolcott on Bellow’s later life: https://www.lrb.co.uk/the-paper/v41/n02/james-wolcott/the-unstoppable-upward Learn more about your ad choices. Visit megaphone.fm/adchoices
- 2 weeks ago26 min
London Revisited: The Road to Civil War
When James VI of Scotland arrived in London in 1603 to become the first ‘King of Great Britain’, expectations were high. They were soon disappointed, not least for the Catholics who tried to blow him and half of Westminster up in 1605. But the plot failed, and with James’s reign came a new, lavish court life, the emergence of the first newspapers amid the booming print industry around St Paul’s, and, with the guidance of Inigo Jones, the arrival of the renaissance in London’s architecture with the development of Covent Garden and the first of the city’s squares. To continue her story of London, Rosemary is joined again by Vanessa Harding to see why James’s Stuart settlement eventually failed under the personal rule of Charles I, leading to a civil war in which London became the financial and military headquarters for the victorious Parliamentarians and James’s grand new banqueting house at Whitehall was used as the backdrop for his son’s execution. Non-subscribers will only hear an extract from this episode. To listen in full, and to all our other Close Readings series, sign up: Apple Podcasts: https://lrb.me/applesignuplr Other podcast apps: https://lrb.me/scsignuplr Read more in the LRB: Perry Anderson on the Civil War: https://www.lrb.co.uk/the-paper/v15/n21/perry-anderson/maurice-thomson-s-war Blair Worden on the Civil War: https://www.lrb.co.uk/the-paper/v13/n16/blair-worden/conrad-russell-s-civil-war Maggie Kilgour on Milton and London: https://www.lrb.co.uk/the-paper/v43/n20/maggie-kilgour/pens-and-heads John Gallagher on Early Modern news: https://www.lrb.co.uk/the-paper/v48/n03/john-gallagher/quickly-quickly-quickly Learn more about your ad choices. Visit megaphone.fm/adchoices
- 3 weeks ago16 min
Narrative Poems: ‘The Ruined Cottage’ and ‘Michael’ by William Wordsworth
Samuel Taylor Coleridge was one of the first people to hear ‘The Ruined Cottage’, read aloud to him on a visit to the Wordsworths in 1797, and he later described it as ‘one of the most beautiful poems in the language’. Like ‘Michael’ (1800), it depicts the disintegration of ordinary lives under social and psychological pressures, reflecting Wordsworth’s interest in rural poverty as much as the natural world. In this episode, Seamus and Mark look at the two poems as part of the literary revolution brought about by the Lyrical Ballads, in which everyday language is used to depict marginal lives without sentiment, guided by Wordsworth’s assertion that ‘men who do not wear fine clothes can feel deeply.’ Non-subscribers will only hear an extract from this episode. To listen to the full episode, and to all our other Close Readings series, sign up: Apple Podcasts: https://lrb.me/applesignupnp Other podcast apps: https://lrb.me/scsignupnp Read more in the LRB: Marilyn Butler on The Lyrical Ballads: https://lrb.me/npep702 Jonathan Wordsworth: Wordsworth in Love: https://lrb.me/npep701 Seamus Perry on 'The Prelude': https://lrb.me/npep703 Colin Burrow on Wordsworth: https://lrb.me/npep704 Learn more about your ad choices. Visit megaphone.fm/adchoices
- Jun 28, 202615 min
Nature in Crisis: ‘Braiding Sweetgrass’ by Robin Wall Kimmerer
Through folktales, memoir and hard science, Robin Wall Kimmerer’s Braiding Sweetgrass argues for the intertwining of Indigenous knowledge systems and empirical science, to support ‘mutual flourishing’ between humans and the environment. Braiding Sweetgrass was an enormous success for a small press publication, becoming a bestseller and a touchstone for readers searching for alternatives to extractivist realpolitik. In this episode, Meehan and Peter look at the most compelling features of Kimmerer’s technique – reminiscent of Darwin at his best – and where her book risks scientific overreach. Learn more about your ad choices. Visit megaphone.fm/adchoices
- Jun 25, 202620 min
Who’s afraid of realism? ‘Voyage in the Dark’ by Jean Rhys
In ‘A Room of One’s Own’, Virginia Woolf writes about how radical it feels to read the sentences: ‘Chloe liked Olivia. They shared a laboratory together…’. Woolf probably didn’t know the work of her contemporary Jean Rhys, but if she had read ‘A Voyage in the Dark’ (1934), she might well have marvelled at, and even envied, its radical realism. Rhys’ story of a young woman who moves from the Caribbean to England and enters a world of financial and sexual exploitation was drawn from experiences unavailable to Woolf. In this episode, James is joined by the biographer Miranda Seymour to discuss Rhys’s virtuosity of technique and detachment, her extraordinary ear for dialogue and the places where her mastery of realist method gave way to modernism. Non-subscribers will only hear an extract from the episode. To listen in full, and to all our other Close Readings series, sign up: Apple Podcasts: https://lrb.me/applecrwaor Other podcast apps: https://lrb.me/closereadingswaor Read more in the LRB: Mary-Kay Wilmers on Jean Rhys: https://lrb.me/waorep701 Carole Angier on Rhys's letters: https://lrb.me/waorep702 Learn more about your ad choices. Visit megaphone.fm/adchoices
- Jun 18, 202617 min
London Revisited: Shakespeare’s City
When Thomas Platter, a Swiss tourist, went to see ‘Julius Caesar’ at the Globe Theatre in 1599, it wasn’t Shakespeare’s language that attracted his attention but the ready availability of refreshments and the high quality of the players’ clothes. The revolution in playmaking that he witnessed on the south bank of the Thames reflected widespread innovations in London’s cultural life in the reign of Elizabeth I. For the first time, we can see the city clearly, in the panoramas and maps inspired by Dutch artists. New ideas about history are emerging in the works of Stow and Holinshed. And the growth of trade through piracy, with a new centre of commerce in Thomas Gresham’s Royal Exchange, marks the beginning of England's imperial expansion. In this episode, Rosemary is joined again by Vanessa Harding to discuss this extraordinary moment in London’s history and some of the reasons behind it, from Elizabeth’s genius for survival to the city’s lack of a university. Reading by Duncan Wilkins Non-subscribers will only hear an extract from this episode. To listen in full, and to all our other Close Readings series, sign up: Apple Podcasts: https://lrb.me/applesignuplr Other podcast apps: https://lrb.me/scsignuplr Read more in the LRB: Charles Nicholl on Elizabethan true crime: https://lrb.me/lrep601 Michael Dobson on Shakespeare's life: https://lrb.me/lrep603 Colin Burrow on Walter Raleigh: https://lrb.me/lrep02 Learn more about your ad choices. Visit megaphone.fm/adchoices
- Jun 11, 202614 min
Narrative Poems: ‘The Rime of the Ancient Mariner’ by Samuel Taylor Coleridge
In her diary entry for 20 November 1797, Dorothy Wordsworth describes a late afternoon walk with her brother William and Samuel Taylor Coleridge. ‘ We went eight miles in the dark,’ she wrote, ‘William and Coleridge employing themselves in laying the plan of a ballad.’ This was the origin of the opening poem of the ’Lyrical Ballads’, published the following year – the book often seen as marking the beginning of Romanticism. In this episode, Seamus and Mark discuss the strange hallucinatory power of ‘The Rime of the Ancient Mariner’ and Coleridge’s search for a meter that could capture the force of his imagination. They also consider some of the poem’s many interpretations, from the influence of abolitionist writing to William Empson’s reading of the shooting of the albatross, and consider whether it’s best understood as a terrible encounter at a wedding reception. Non-subscribers will only hear an extract from this episode. To listen to the full episode, and to all our other Close Readings series, sign up: Apple Podcasts: https://lrb.me/applesignupnp Other podcast apps: https://lrb.me/scsignupnp Read more in the LRB: Barbara Everett on Coleridge the modernist: https://lrb.me/npep601 Susan Eilenberg on the life of Coleridge: https://lrb.me/npep602 Marilyn Butler on the Lyrical Ballads: https://lrb.me/npep603 Learn more about your ad choices. Visit megaphone.fm/adchoices
- Jun 3, 202614 min
Nature in Crisis: ‘Is a River Alive?’ by Robert Macfarlane
The idea that a river is a living being has important legal consequences. But it also has imaginative consequences, which can, in George Eliot’s words, ‘enlarge the imagined range for self to move in’. In ‘Is a River Alive?’ (2025), Robert Macfarlane travels with the lawyers, Indigenous people, scientists and others who are working to protect rivers in Ecuador, India and Quebec, and challenges himself to see rivers in a way that widens the category of life. In this episode, Meehan and Peter assess Macfarlane's quest and look at the different kinds of writing he deploys along the way, including adventure story, biography and philosophy. They also look back to the origins of the rights of nature movement at the University of Southern California in the 1970s and consider whether the choice between seeing a river as either a resource or a fellow being is a false one. Non-subscribers will only hear an extract from this episode. To listen in full, and to all our other Close Readings series, sign up: Directly in Apple Podcasts: https://lrb.me/applecrnature In other podcast apps: https://lrb.me/closereadingsnature Read more in the LRB: Rebecca Solnit on water: https://lrb.me/nicep601 Kathleen Jamie of Robert Macfarlane: https://lrb.me/nicep602 Learn more about your ad choices. Visit megaphone.fm/adchoices
About Close Readings
Close Readings is a multi-series podcast from the London Review of Books. Two contributors explore areas of literature through a selection of key works, providing an introductory grounding like no other. RUNNING IN 2026 'Who's afraid of realism?' with James Wood and guests 'Nature in Crisis' with Meehan Crist and Peter Godfrey-Smith 'Narrative Poems' with Seamus Perry and Mark Ford 'London Revisited' with Rosemary Hill and guests Bonus Series: 'The Man Behind the Curtain' with Tom McCarthy and Thomas Jones ALSO INCLUDED IN THE CLOSE READINGS SUBSCRIPTION: 'Conversations in Philosophy' with Jonathan Rée and James Wood 'Fiction and the Fantastic' with Marina Warner, Anna Della Subin, Adam Thirlwell and Chloe Aridjis 'Love and Death' with Seamus Perry and Mark Ford 'Novel Approaches' with Clare Bucknell, Thomas Jones and other guests 'Among the Ancients' with Emily Wilson and Thomas Jones 'Medieval Beginnings' with Irina Dumitrescu and Mary Wellesley 'The Long and Short' with Mark Ford and Seamus Perry 'Modern-ish Poets: Series 1' with Mark Ford and Seamus Perry 'Among the Ancients II' with Emily Wilson and Thomas Jones 'On Satire' with Colin Burrow and Clare Bucknell 'Human Conditions' with Adam Shatz, Judith Butler, Pankaj Mishra and Brent Hayes Edwards 'Political Poems' with Mark Ford and Seamus Perry 'Medieval LOLs' with Irina Dumitrescu and Mary Wellesley
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