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by Katie Gatti Tassin & Caro Claire Burke
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The Democratic Party was facing an identity crisis when Donald Trump began his second term in January 2025. Just two months later, Democratic media Thinkboiz Ezra Klein and Derek Thompson published Abundance.Their theory of the case: We could “solve our problems with supply,” and that to do so, we needed to pursue “a liberalism that builds,” an idea that meant aspiring to “more than redistribution […], more than parceling out the present.” The text of Abundance focuses almost exclusively on examples of government proceduralism and self-defeating obstruction, while at times quoting books like Fully Automated Luxury Communism and even Karl Marx.There’s just one difference between the productive capacity imagined in Fully Automated Luxury Communism and Abundance: only one of these books sees this vision as compatible with capitalism.Over the months that followed its publication, an “intra-left” fight emerged between the “populist left” (represented by figures like Bernie Sanders and the DSA) and the “abundance left.” For a while, it looked like Abundance would set the vision for the future of the party. What happened?Diabolical Lies investigates.All citations and references can be found at diabolicalliespod.com. This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit www.diabolicalliespod.com/subscribe
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Alex Cooper is one of the most successful podcast hosts in the country. Alix Earle is one of the most popular TikTok stars in America. The women, who appear to be separated by a single vowel and little else, have become central to a slow-burning pop culture feud representing two distinct, radically divergent archetypes: the Mean Girl™ and the Girl’s Girl.™Cooper’s storied past includes a messy, public split with her former Call Her Daddy cohost, Sofia Franklyn, which she parlayed into an enormous deal with Spotify and, later, SiriusXM. Earle’s background is simpler and cleaner, involving a seemingly overnight ascent on TikTok and a Teflon-like immunity to controversy.Today’s episode is ultimately a story about the manipulation of discourse and how double standards don’t just exist between women and men, but between women who are, for all intents and purposes, functionally identical. It’s a deep dive into the characters populating the latest girl-on-girl morality play, a spectacle uniquely suited to demonstrate the skill of those seated atop the modern attention capture content creation industry. Enjoy this valiant effort to extract a takeaway other than “wow, maybe the internet really is making all of us stupider.” “Call Her Daddy’s Alexandra Cooper Made Her Name Talking About Sex. With Her Massive Spotify Deal, She’s Pushing Beyond That” by Eliana Dockterman for Time (2021)“Daddy Issues: Trouble Behind the Scenes of Alex Cooper’s Unwell Media Empire” by Clara Molot for Vanity Fair (2026)“Noticing Emily Ratajkowski’s New Essay, Gwyneth Paltrow’s Politics, and Alex Cooper’s Leadership Skills” from Good Noticings (2026) “Inside Alex Cooper’s Unwell: Tears, Screaming and Employees Looking for the Exit” by Ashley Carman for Bloomberg (2026)“Alex Cooper, Husband Skip Team Meeting After Behavior Complaints” by Ashley Carman for Bloomberg (2026)“Alex Cooper Went From Raunchy Podcaster to Gen-Z’s Barbara Walters” by EJ Dickson for Rolling Stone“The ‘Call Her Daddy’ Feud: What Happened?” by Taylor Lorenz for The New York Times (2020)Dave Portnoy’s obnoxious video to “Suitman” on the Call Her Daddy Instagram account during the negotiation breakdown“The truth about Call Her Daddy” on Alex Cooper’s YouTube channel“After Leaving ‘Call Her Daddy,’ Sofia Franklyn is Back with a New Podcast of Her Own” by Andy Meek for Forbes (2020)“Dave Portnoy Hates The Way Alix Earle Has Handled The Alex Cooper Controversy,” also known as a 50-year-old man hosting his favorite series, “Tea by the Sea” Brianna Chickenfry entering the chat “‘Call Her Daddy’ Host Alex Cooper Launches the Unwell Network, Inks Development Deals with Influencers Alix Earle and Madeline Argy” by Todd Spangler for Variety (2023)“The Alix Earle Effect” by Véronique Hyland for Elle“Alix Earle’s ‘Hot Mess’ Podcast Dropped by Alex Cooper’s Unwell Network (EXCLUSIVE)” by Tatiana Siegel for Variety (2025)“The Art of the Alix Earle Deal” by Sara Ashley O’Brien for The Wall Str
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RESTOCK ALERT: Just in time for your summer vacation, the Banned Books tote is back in stock.Alt. title: Katie finally bites off more than she can chew and attempts a nuanced exploration of the Lean In, Girlboss cultural era.13 years ago, Sheryl Sandberg published Lean In: Women, Work, and the Will to Lead. The following year, Sophia Amoruso published #GIRLBOSS.The broad understanding of this period was that—for a few solid years—we widely embraced the edicts of “corporate feminism” or “Lean In feminism” or “Girlboss feminism,” so named for a societal shift that saw a recognition and celebration of women’s career ambition as a decidedly positive thing worthy of support and encouragement or, at the very least, a collection of sassy poly-blend T-shirts.We tried it, and it didn’t work.…but did we?Diabolical Lies investigates.All citations and references can be found at https://www.diabolicalliespod.com. This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit www.diabolicalliespod.com/subscribe
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Freya India's book Girls, Gen Z, and the Commodification of Everything is marketed as a sharp, feminist-leaning critique of social media’s impact on young women, but it’s actually a Trojan horse for regressive, conservative ideology disguised as cultural analysis. Backed by mainstream figures like Jonathan Haidt, Scott Galloway, and Derek Thompson, her work superficially critiques therapy culture and digital commodification but ultimately pushes a “go back” agenda—urging women to abandon independence, embrace marriage, motherhood, and faith, and submit to traditional male authority.
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