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Join Kate Lindsay twice a week as we gaze deep into the online abyss—and tell you what’s gazing back.
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On today’s episode, host Kate Lindsay is joined by Angelina Mazza whose recent piece in The New York Times details how publishers are “modernizing” previously published books like Pretty Little Liars and Are You There God? It’s Me, Margaret by replacing outdated references to pop culture and technology with artists like Billie Eilish and apps like TikTok. While publishers claim this is to keep younger readers engaged, others argue it’s not just patronizing, but also disrespectful to the art of storytelling. This podcast is produced by Vic Whitley-Berry, Daisy Rosario, and Kate Lindsay.Need to set up your Slate Plus feed? If you subscribed through Slate.com, check out our FAQ at slate.com/podcastfaqs for easy instructions. Members subscribed via Apple Podcasts get automatic access—no setup required. Hosted on Acast. See acast.com/privacy for more information.
On today’s episode, host Kate Lindsay is joined by Ed Zitron, host of the podcast Better Offline and a certified hater of AI. After yet another AI writing scandal, this time involving the 2026 Commonwealth Short Story prize, Kate and Ed take a closer look at tools like Pangram that claim to detect AI writing with 99% accuracy. But if we can’t ever be sure, then no one knows what’s true at all—and that’s exactly how these institutions like it. This podcast is produced by Vic Whitley-Berry, Daisy Rosario, and Kate Lindsay.Need to set up your Slate Plus feed? If you subscribed through Slate.com, check out our FAQ at slate.com/podcastfaqs for easy instructions. Members subscribed via Apple Podcasts get automatic access—no setup required. Hosted on Acast. See acast.com/privacy for more information.
On today’s episode, host Kate Lindsay is joined by New York Magazine features writer Lane Brown whose latest piece breaks down the “clipping economy,” which has become the backbone of the entire internet. Cheaper than traditional advertising, people and companies employ bots and users to generate fake hype for everything from music to TV shows to SNL performances. The internet has become so saturated with this content that now almost everyone has to do it to compete. But if you take away clipping, does any real internet remain? And if everything is marketing, is anything online real?This podcast is produced by Vic Whitley-Berry, Daisy Rosario, and Kate Lindsay.Need to set up your Slate Plus feed? If you subscribed through Slate.com, check out our FAQ at slate.com/podcastfaqs for easy instructions. Members subscribed via Apple Podcasts get automatic access—no setup required. Hosted on Acast. See acast.com/privacy for more information.
On today’s episode, host Kate Lindsay is joined by writer Daysia Tolentino to discuss whether influencers serve us at all in 2026. James Charles faced backlash for publicly mocking a recently laid-off woman who DMed him for support. And in response, some users are questioning why they even support influencers. While some creators offer niche content or services, many in the A-list are now simply famous for being famous. Meanwhile, the average American is struggling with the rising cost of living. Which begs the question: can we any longer be entertained by watching privileged people doing privileged things? This podcast is produced by Vic Whitley-Berry, Daisy Rosario, and Kate Lindsay.Need to set up your Slate Plus feed? If you subscribed through Slate.com, check out our FAQ at slate.com/podcastfaqs for easy instructions. Members subscribed via Apple Podcasts get automatic access—no setup required. Hosted on Acast. See acast.com/privacy for more information.
On today’s episode, host Kate Lindsay is joined by writer and comedian Matt Buechele to talk about how the etiquette around phones is shifting, with previously phone-free spaces now welcoming them into the room. In almost all cases, this makes the experience worse for everyone else, but rather than rebelling, people are starting to accept this as a fact of life. Enough! Let Kate watch Hokum in peace!This podcast is produced by Vic Whitley-Berry, Daisy Rosario, and Kate Lindsay.Need to set up your Slate Plus feed? If you subscribed through Slate.com, check out our FAQ at slate.com/podcastfaqs for easy instructions. Members subscribed via Apple Podcasts get automatic access—no setup required. Hosted on Acast. See acast.com/privacy for more information.
On today’s episode, host Kate Lindsay is joined by writer of Garbage Day and host of Panic World, Ryan Broderick. Ryan has been tracking the metrics of prominent right-wing creators like Ben Shapiro and Tim Pool over the past year or so, and noticed a surprising trend: once lauded as an unbeatable force of political influence, these creators are struggling with both their views and finances. Is this a sign of the tide turning, or was the right wing media ecosystem never as powerful as we thought it was?This podcast is produced by Vic Whitley-Berry, Daisy Rosario, and Kate Lindsay.Need to set up your Slate Plus feed? If you subscribed through Slate.com, check out our FAQ at slate.com/podcastfaqs for easy instructions. Members subscribed via Apple Podcasts get automatic access—no setup required. Hosted on Acast. See acast.com/privacy for more information.
On today’s episode, host Kate Lindsay is joined by journalist and creator Princess Weekes to discuss the ethics of consuming leaks. Ten years ago, a fan with access to leaked material from their favorite artist or creator was considered elite. But now, fandoms like Avatar: The Last Airbender worry that watching the now-leaked most recent film is a slap in the face to the artists. But if the choice is between exploiting an artist’s work, and being exploited by the streaming services and corporations that are making ethical consumption even more expensive, then does anyone win? This podcast is produced by Vic Whitley-Berry, Daisy Rosario, and Kate Lindsay. Hosted on Acast. See acast.com/privacy for more information.
On today’s episode, host Kate Lindsay is joined by Pitchfork news director Alex Suskind to talk about why musicians keep coming down with “blue dot fever.” Stars like Meghan Trainor and Post Malone are among many in recent months who have cancelled entire tours, seemingly due to a lack of ticket sales. Has social media changed what it means to be famous, or have things like Ticketmaster finally made concerts too expensive to attend? Or are we, the audience, to blame? This podcast is produced by Vic Whitley-Berry, Daisy Rosario, and Kate Lindsay. Hosted on Acast. See acast.com/privacy for more information.
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