THE SCOUT — Paula González-Nasser on the Invisible Work Behind the Movies

What does it mean to spend your working life entering strangers’ homes, photographing their private spaces — and then moving on? Writer-director Paula González-Nasser joins Greg Laemmle and Raphael Sbarge to discuss THE SCOUT, her acclaimed feature debut starring Mimi Davila as a New York location scout whose unusual job offers fleeting glimpses into the lives of strangers. Drawing from González-Nasser’s own years scouting productions including Russian Doll, Search Party, High Maintenance and Never Rarely Sometimes Always, the film becomes something much larger: a funny, quietly moving exploration of creative work, loneliness, urban life, and the people whose labor makes movies possible. Paula talks about finding a movie inside an invisible job, the influence of filmmakers like Chantal Akerman and Michelangelo Antonioni, learning to trust the film’s slower rhythm, shaping Sofia with Mimi Davila, and the very real anxiety of stepping behind the camera for the first time. A New York Times Critic’s Pick, THE SCOUT is now in theaters from Greenwich Entertainment. 00:00 — THE SCOUT01:10 — Finding a Film in an Invisible Job03:40 — Location Scouting After COVID04:51 — The Films That Shaped THE SCOUT07:27 — Film Clip: Inside a Stranger’s Home09:20 — Trusting the Film’s Slow Burn11:42 — Why Sofia Stays at the Edge of the Frame12:36 — Editing: When to Enter and Leave a Scene14:27 — Becoming a Director — and Imposter Syndrome17:31 — The Voicemails: A Greek Chorus20:00 — The Real Cost of New York Locations20:24 — THE SCOUT Trailer22:31 — Why the Story Is Just a Day in the Life24:05 — Creating Sofia with Mimi Davila25:58 — Antonioni, French New Wave & Visual References27:12 — How Audiences Are Responding28:59 — Finding Humor in New York Loneliness30:54 — Closing Learn more about your ad choices. Visit megaphone.fm/adchoices