
The same man wrote “It’s Tight Like That” and “Take My Hand, Precious Lord.” As Georgia Tom, Thomas A. Dorsey cut it with Tampa Red in 1928 - one of the dirtiest hits of the decade, and the record that set off the hokum craze. As Thomas A. Dorsey, he wrote the song Mahalia Jackson sang at Martin Luther King’s funeral. And the order is not the one you would guess: “It’s Tight Like That” came after his religious conversion, not before it, because the church songs were not paying and he had a wife to feed. Host Nate Wilcox is joined again by Garrett Cash for the fourth installment of HolyRoll, their history of gospel music, in a conversation first recorded in 2022 and returning now as part of Let It Roll From the Beginning..., in which the whole Let It Roll archive is being re-cast in chronological order by topic - the story of the music told forward, in the order it actually happened. The book under discussion is Michael W. Harris’s “The Rise of Gospel Blues: The Music of Thomas Andrew Dorsey in the Urban Church,” with Anthony Heilbut’s “The Gospel Sound” and Robert Darden’s “People Get Ready!” alongside it. GO TO THE LET IT ROLL SUBSTACK TO HEAR THE FULL EPISODE -- The final 15 minutes of this episode are exclusively for paying subscribers to the Let It Roll Substack. Please consider becoming a paid subscriber to support the show. Thanks! Email letitrollpodcast@gmail.com Follow us on Twitter. Let It Roll is proud to be part of Pantheon Podcasts Learn more about your ad choices. Visit megaphone.fm/adchoices
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