
Born to a sleepy town in South Wales, after university, he swapped the countryside for the Big Apple where he made his name as the film unit director at New York institution, Saturday Night Live. In addition to his time at 30 Rock, he’s also managed to peel off and create the hilarious documentary satire series Documentary Now with friends Bill Hader, Fred Armisen and Seth Myers, and more recently, took a step into the Marvel Cinematic universe helming the pilot and multiple episodes of the h...
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#51 - Ronan Bennett: Creating Top Boy, Working with Michael Mann, Following Obsession, Stamina, and Why Screenwriting is like Playing Tennis with Novak Djokovic

#50 - Lorien McKenna: How the The Pixar Story Department Actually Works, Creating Career Agency, Writing For Visuals, Challenging Shame and The Power of Vulnerability

#49 - Simon Blackwell: Writing Veep & The Thick of It, Julia Louis-Dreyfus’ Scary Phrase, Emergency Plane Writing, The Genius of Armando Iannucci, Sweary Grannies, & Why Parenting Makes You A Better Creative

#48 - John Zaozirny, Literary Manager on The ‘Magic’ That Makes a Hollywood Script, Screenwriting Lessons from Tony Gilroy, How He Finds Clients, Network Building, and Why Not to Write for the Market
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