
Free Daily Podcast Summary
by Neil McRobert
Conversations with the biggest names in horror fiction. A podcast for horror readers who want to know where their favourite stories came from . . . and what frightens the people who wrote them.
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This episode needs no attempt at a witty introduction. Stephen King is back to talk about Other Worlds Than These – the concluding volume of The Talisman saga, begun with Peter Straub 45 years ago. We keep it spoiler-free, but we talk about Jack Sawyer’s journey and how it entwines with The Dark Tower. We reflect on The Talisman and Black House, on Wolf and my heartbreak. We discuss Peter’s inspiration for the story and how King summoned him to bring it to a close. And we even get some hints of what’s cooking in Steve’s brain for future projects. It seems he’s never slowing down, no matter what he say. I hope you enjoy this. Other books mentioned: Julia (1975), by Peter Straub Ghost Story (1979), by Peter Straub Redheaded Peckerwood (2010), by Christian Patterson King Sorrow (2025), by Joe Hill Sleeping Beauties (2017), by Stephen and Owen King Trad Wife (2026), by Sarah Langan Support Talking Scared on Patreon Check out the Talking Scared Merch line – at VoidMerch Come talk books on Threads, Bluesky, and Instagram, or email direct to talkingscaredpod@gmail.com Learn more about your ad choices. Visit megaphone.fm/adchoices
Leaning into absolute high geekery this week – with Kyle Winkler’s novel of how family game night can go badly wrong! The Ship of Death is about a cursed (and I mean CURSED!) tabletop role-playing game and the unlucky couple who choose to play it. Or, as Kyle describes it “Dark Jumanji.” It prompts a conversation about games in life and fiction. Epistolary structure and found-fiction. We discuss his relationship with the bizarre, his love for mysteries without answers, we consider who is really responsible for the world-building in a story, and we pay a lot of respect to cosmic horror influences beyond Lovecraft. It’s was a delight to record. Hope you enjoy listening. Other books mentioned: Grasshands (2024), by Kyle Winkler Boris Says the Words (2022), by Kyle Winkler The Nothing That Is (2020), by Kyle Winkler Borne (2017), by Jeff VanderMeer Zothique (1970), by Clarke Ashton Smith The Dying Earth (1950), by Jack Vance Enduring Love (1997), by Ian McEwan Negative Space (2020), by B.R. Yeager True Crime (2020), by Samantha Kolesnik The House Next Door (1978), by Anne River Siddons My Dark Places (1996), by James Ellroy Penpal (2012), by Dathan Auerbach Mockingbird (1980), by Paul Tevis The Blacktongue Thief (2021), by Christopher Buehlman Support Talking Scared on Patreon Check out the Talking Scared Merch line – at VoidMerch Come talk books on Threads, Bluesky, and Instagram, or email direct to talkingscaredpod@gmail.com Learn more about your ad choices. Visit megaphone.fm/adchoices
This week’s episode shows what a good haunted house can do. Deena Helm is a mixed American-Palestinian author, who’s debut novel, Our Cut of Salt, puts all the power of the Gothic to use in framing the occupation and oppression of Palestine. It takes place before the ongoing genocide, but offer a chance to consider how horror fiction can play its part in framing that obscenity. That all sounds heavy, and it rightfully is – but this book also has a frightening, tragic and murderous house at its core… so there’s (our kind) of fun to be had as well. This is an important episode for the show. I hope you listen and enjoy. Other books mentioned: White is for Witching (2009), by Helen Oyeyemi Tell Me I’m Worthless (2021), by Alison Rumfitt Frankenstein in Baghdad (2013), by Ahmed Saadawi Mornings in Jenin (2006), by Susan Abulhawa Behind You is the Sea (2024), by Susan Muaddi Darraj Gentle Things (2026), by Danielle Giles Hungerstone (2025), by Kat Dunn Support Talking Scared on Patreon Check out the Talking Scared Merch line – at VoidMerch Come talk books on Threads, Bluesky, and Instagram, or email direct to talkingscaredpod@gmail.com Learn more about your ad choices. Visit megaphone.fm/adchoices
Home is where the horror is this week, with Chris Panatier and Worry Box! This latest offering from Panatier’s uniquely strange mind is a complete revision of the haunted house as we know it. It’s a house that means well, but understands little. Couple that with a family in flux and a child suffering intrusive thoughts, and you have a recipe for terrible, no-good disaster. In short, it’s 400 pages of slowly tightening dread! I hope you enjoy. Other books mentioned: The Redemption of Morgan Bright (2024), by Chris Panatier This House isn’t Haunted but We Are (2025), by Stephen Howard Our Cut of Salt (2026), by Deena Helm Pet Semetary (1983), by Stephen King The Library at Mount Char (2015), by Scott Hawkins Gideon the Ninth (2019), by Tamsyn Muir Gormenghast (1950), by Mervyn Peak Angel Down (2025), by Daniel Kraus Chimera Skin (2026), by Johnny Compton The Butcher of Nazareth (2026), by David Scott Hay Support Talking Scared on Patreon Check out the Talking Scared Merch line – at VoidMerch Come talk books on Threads, Bluesky, and Instagram, or email direct to talkingscaredpod@gmail.com Learn more about your ad choices. Visit megaphone.fm/adchoices
There are big books and big books. This week we cover a HUGE book. China Miéville is the guest. The award-winning author of Perdido Street Station, Embassytown, The City & the City, and other modern speculative classics – and he’s back with a book two decades in the making. The Rouse is an epic of true proportions, a 1300-page saga of the twentieth century, rife with war, atrocity, tragedy, and a secret war fought with ghosts?? That’s the premise but it barely touches the sides of this ginormous undertaking. This is not just a conversation, it’s a search for answers – in which we plumb the personal, political, and supernatural influences behind this story of shady military conspiracy and ghosts of many strange kinds. I hope you enjoy, ‘cos I worked my ass off for this one! Other books mentioned: King Rat (1999), by China Miéville The City & The City (2009), by China Miéville Ducks, Newburyport (2019), by Lucy Ellman Gravity’s Rainbow (1973), by Thomas Pyncheon Against the Day (2006), by Thomas Pyncheon House of Leaves (2000), by Mark Z. Danielewski “The Ash Tree” (1904), by M.R. James A Dark Corner (1971), by Celia Dale Support Talking Scared on Patreon Check out the Talking Scared Merch line – at VoidMerch Come talk books on Threads, Bluesky, and Instagram, or email direct to talkingscaredpod@gmail.com Learn more about your ad choices. Visit megaphone.fm/adchoices
James Tynion IV is a modern master of the horror comic. He’s the maniac behind so many contemporary classic series, but perhaps none are such pop-culture behemoths as Something is Killing the Children. I mean… with a title like that, how could it fail? With the new omnibus collection out right now, and an in-world novel (co-authored with Kiersten White) coming in October, I thought now was a good time to get James on the show and talk monsters, masks, mythology and the most baddass hero in graphic novels. Enjoy! Other books mentioned: The Woods (2014-2017), by James Tynion IV Memetic (2014-2015), by James Tynion IV Hide (2022), by Kiersten White At the Mountains of Madness (2019), by Gau Tenabe Monster (1994-2001), by Naoki Urusawa Support Talking Scared on Patreon Check out the Talking Scared Merch line – at VoidMerch Come talk books on Threads, Bluesky, and Instagram, or email direct to talkingscaredpod@gmail.com Learn more about your ad choices. Visit megaphone.fm/adchoices
Wendig is here!! The man my wife refers to as “Chuck Apples” (as opposed to “Chuck Fight Club) is back to talk about his most fun, yet nastiest book to date. The Calamities is what would happen if The Godfather had cenobites, if Logan Roy had made a pact with monsters, it prompts me to ask the questions “who’s your favourite demon Chuck?” That kinda book. Chuck tells us how the study of demonology has underpinned almost his entire writing career. We discuss the increasingly tight links between his novels, the influence of D&D structure, and the challenge of making the reader care about some of the worst-behaved characters in the world. And I drop the C-bomb for the first time on air. That damn baby deserves it. Enjoy! Other books mentioned: Staircase in the Woods (2024), by Chuck Wendig Daytide (2026), by Chris Panatier The Three Body Problem (2008), by Cixin Liu Books of Blood (1984-88), by Clive Barker Cabal (1988), by Clive Barker Pandemonium: A Visual History of Demonology (2021), by Ed Simon Blacktail (2026), by Scott Hawkins Support Talking Scared on Patreon Check out the Talking Scared Merch line – at VoidMerch Come talk books on Threads, Bluesky, and Instagram, or email direct to talkingscaredpod@gmail.com Learn more about your ad choices. Visit megaphone.fm/adchoices
No one let the Pope listen to this week’s episode. Our guest is Natasha Pulley, genre-defying author of The Watchmaker of Filigree Street, The Bedlam Stacks, The Kingdoms, and now, in the The Salt King she pits the Vatican and Catholic Doctrine against something much, much older, lurking in the salt mines of the world. It leads us to a conversation about faith of many kinds, about reality-adjacent fiction, the horrid truth of Sodom and Gomorrah, dark representations of the Catholic Church, and the challenge of fusing folk horror and global apocalypse. There are also some holy dick pics. Enjoy! Other books mentioned: Gentle Things (2026), by Danielle Giles Jonathan Strange & Mr Norrell (2024), by Susanna Clarke The Hill in the Dark Grove (2026), by Liam Higginson The Name of the Rose (1980), by Umberto Eco Foundation (1951), by Isaac Asimov A Canticle for Liebowitz (1959), by Walter M. Miller Jr Father Alberto and the Flying Girl (2026), by Timothy X Atack Support Talking Scared on Patreon Check out the Talking Scared Merch line – at VoidMerch Come talk books on Threads, Bluesky, and Instagram, or email direct to talkingscaredpod@gmail.com Learn more about your ad choices. Visit megaphone.fm/adchoices
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Conversations with the biggest names in horror fiction. A podcast for horror readers who want to know where their favourite stories came from . . . and what frightens the people who wrote them.
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