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by Martha Nichols, John Vogel, and Neva Talladen
A Podcast for Writers, Readers, and Creative Lifers We keep creating against the odds, because we long for purpose and meaning in a chaotic world. Join the staff of Talking Writing magazine as we talk to artists of all mediums about their personal and creative lives – and the intersections between the two.
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For this week's episode, author Brian Trapp sits down with TW creative director John Vogel to talk about Brian's 2025 novel Range of Motion (Acre Books). The book is semi-autobiographical fiction about twin brothers, one of whom was born with cerebral palsy and severe intellectual disabilities, an experience paralleling Brian's own with his twin brother Danny.The novel is written with tenderness, humor, and celebration centering twin brothers Michael and Sal, their parents Hannah and Gabe, and the whole family’s experience balancing care, work, school, and social lives.In 2009, while enrolled in a master’s program for creative writing at the University of Cincinnati (UC), Brian started to write a fictional story based on a week that he and Danny spent at Camp Cheerful in Ohio. He wrote about a hundred pages for his thesis before losing steam. To regain momentum, he backtracked to the twins’ childhood, starting when they were five and going forward from there to catch up to the scenes at the camp when they were 18.Brian earned his PhD in creative writing and disability studies from UC, and has accumulated a list of grants, fellowships, and residencies, including a Tin House Residency, Borchardt Scholarship, and Steinbeck Fellowship. In 2017, Brian moved with his partner—novelist Marjorie Celona—to Eugene, where the University of Oregon was just starting up a disability studies program. A product of good timing, he “lucked into” a position as director of the program, while teaching fiction and nonfiction and editing the Northwest Review.
For this episode musician and filmographer Michael Sanchez sits down with TW creative director John Vogel.Michael grew up in Newcastle, Delaware, where he started playing and recording music. One of his bands from that time, the New Death Show, eventually pared from four-piece to duo and migrated to Seattle. Later Michael would move to Brooklyn, San Francisco, Chicago, and then Philly, settling into different artistic projects along the way, including his band The Way It Is and a solo project, Electric Dylan. In San Francisco he started trying out comedy, which started to become more serious during his time in Chicago. There, he and four other comedians started a showcase called Comedians You Should Know, which ran at a local pub every Wednesday starting in 2010. In 2015 and 2016 the showcase expanded to LA and New York.Throughout this time period, Michael was also creating videos both for himself and as a contractor for different artists and corporate institutions. Early on he and his friends filmed a no-budget superhero movie called The Return of Great Guy, which stalled due to hard drive issues.For this interview, Michael fields questions from John's Perfect Recognition project.
Lisa Borders, author of three novels, talks with TW creative director John Vogel to talk about her newest book. Last Night at the Disco (Regal House Publishing, 2025) is a fictitious memoir framed as a letter to the former editor of Rolling Stone, Jann Wenner. That context gives the audience their first clue about the book’s narrator, Lynda Boyle.The introduction to the letter also gives us a few other vague references to crimes, the loss of a teaching position, and a “coke-fueled disco queen” that help fill in a few blanks while raising many more questions.Although humor had always been a part of Lisa’s personality and writing, for a time she leaned away from it. Her first two books, Cloud Cuckoo Land and The Fifty-First State, reflected this shift, but starting around 2016—as she developed the tone for what would become Last Night at the Disco—she started focusing on humor, including writing a submission for McSweeney's Internet Tendency over the course of a year. That piece was accepted and published as “Signs That You Are a Gen-Xer Going Through Menopause,” which went viral.In this interview the two discuss narrator Lynda Boyle, satirizing avant-garde poets, and her need to make art as the world falls apart.
For this episode TW creative director John Vogel sat down with television writer and showrunner Michael Jamin about his collection of personal essays, A Paper Orchestra.Michael’s television career started in the mid-90’s with an episode of Lois and Clark, followed by more involved work on Just Shoot Me! and King of the Hill. Other writing and production credits include Beavis and Butthead, Rules of Engagement, Maron, and Wilfred.He self-published A Paper Orchestra through his company 3 Girls Jumping, and the book was named one of the best comedy books of 2024 by Vulture. Partially inspired by David Sedaris, Michael has also developed a stage show of the essays that has evolved from readings to reenacted performances of the scenes. In this conversation Michael and John talk about different themes throughout the essays, his transition to the stage, and balancing family life with work.
Author and musician Antonio Michael Downing sits down with TW creative director John Vogel to talk about Antonio Michael's books Black Cherokee and Saga Boy, music audience expectation regarding race and incorporating varied genres, and the disregard of the tech industry when it comes to profiting off of the work of artists without compensation.If his memoir Saga Boy is a personal story grappling with the effects of colonialism on his psychology, his first full-length novel, Black Cherokee, is a story constructed to show the ways that everyone is living underneath unseen layers of history that they don’t understand.The story follows Ophelia Blue Rivers, whose Black grandmother married the Cherokee Chief Trouthands, through four slices of time from 1993 to 2005. The book begins with Grandma Blue raising her on the Cherokee reservation while the disbanded tribe figures out how to handle a cattle farm that’s polluting the river. When she’s shipped off to live with her aunt in the nearby town, Ophelia has to integrate herself into typical southern society and finding temporary fellowship in a Baptist church. As she enters high school, she again has to assimilate, this time into affluent white society.This episode is scored with the John Orpheus song, “Fela Awoke (I Will Miss You).”
Multidisciplinary writer Joanna Walsh sits down with TW creative director John Vogel to talk about Amateurs! How We Built Internet Culture and Why It Matters. When Joanna first started writing, lacking IRL community and instruction, she turned early Twitter to find likeminded others to share work with. It wasn’t until after she’d been working as an artist that the schooling aspect came into play, getting her PhD in Critical and Creative Writing from the University of East Anglia and a MSCA postdoctoral fellowship at Maynooth University.Joanna also founded and ran two activist campaigns on Twitter—@read_women, a movement dedicated to equal treatment for women writers, and @no_entryarts to reshape ideas about age in the arts—and wrote twelve fiction and nonfiction books, including two co-written with self-coded AI.In this conversation, the two discuss aesthetics through history, funding structures for the arts, and how policy affects access to who’s able to practice art.
Pia Leichter, founder of Kollektiv Studio and author of Welcome to the Creative Club, talks with TW creative director John Vogel about her experience transitioning from the advertising world to the artistic path. A big shift happened in her life about ten years ago, and Pia delves into some very personal details about the events that brought about that shift. As she said in our conversation: “I wasn’t expecting to share such vulnerable stories at all. I mean, I shared stuff some of my closest friends didn’t even know about me.”The two discuss Pia’s experience with self-promoting her book, the role of the brain’s default mode network in the creative act, and the presence of the cosmos in all people. Also included in the episode are three tracks from her collaborative spoken word album Famished with electronic composer Tyler Bodkins. All the music in the episode came from that album.
In today’s episode author Molly Gaudry sits down with TW founder and publisher Martha Nichols. Molly holds degrees in fiction, poetry, and experimental prose, and her new book that just came out last week is aptly titled Fit Into Me: A Novel, A Memoir. The book weaves a fictional narrative into Molly’s own story along with fragments from a wide range of other authors in an effort to create a sense of self via the combination of different elements. With this format Molly explores her experience as a Korean adoptee raised in the US, meeting her birth family as a teenager, and recovering from a brain injury as an adult.In this TW conversation, Fit Into Me provides a jumping-off point for big questions about self-creation and the holes in memory that writers inevitably confront when telling their own stories. Martha and Molly discuss how she blended its nonfiction sections with the fictional story of a character (the “tea-house woman”) taken from her two previous works, We Take Me Apart (Ampersand, 2009), which was a finalist for the Asian American Literary Award; and Desire: A Haunting (Ampersand, 2018).
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A Podcast for Writers, Readers, and Creative Lifers We keep creating against the odds, because we long for purpose and meaning in a chaotic world. Join the staff of Talking Writing magazine as we talk to artists of all mediums about their personal and creative lives – and the intersections between the two.
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