Free Daily Podcast Summary
The Film Scorer: Daily Summaries Delivered
by Nicholas Marcus
The Film Scorer Podcast features a wide array of long-form interviews with film composers, including up-and-comers, established veterans, and everybody in between. Hear first-hand from masters of the craft about the film scoring process, see behind-the-scenes, and learn all about the art of film and film music.
Latest Episodes
The most recent episodes — sign up to get AI-powered summaries of each one.
- 5 days ago33 min
Colin Stetson
After a long wait and seemingly unending anticipation, Season 6 of The Film Scorer Podcast is here! To kick off the new season, I'm joined by the very rare repeat guest, the great Colin Stetson! Colin and I talked several years back (much longer ago than it feels), right around when The Texas Chainsaw Massacre came out, really digging into the weirdness of his score. This time, our focus is technically on his score for the new show Something Very Bad Is Going To Happen, but we get off track almost immediately and seemingly never recover, talking about the show as well as his series of improv/collaboration releases, Chainsaw, playing on audience expectations, and trying to imbue projects with real and honest human experience. Frankly, it ended up pretty wide-ranging. Colin's score for Something Very Bad Is Going to Happen, and much of his other music, is available on all major platforms while the show itself is available on Netflix. And if you haven't yet, be sure to check out our prior conversation here: https://thefilmscorer.com/colin-stetson-on-scoring-texas-chainsaw-massacre/
- 2 weeks ago0 min
Season Six Trailer - The Film Scorer Podcast
Season Six of The Film Scorer Podcast is almost here! The new season launches on Sunday, May 31st, with new episodes continuing every other Sunday after that (more or less). Season five had some huge interviews, like Oscar winner Daniel Blumberg, Max Richter, Oneohtrix Point Never, Thomas Newman, and even the noise rock band Chat Pile, so you never who will show up this time around. But I'll give you a taste of what's to come - Season six kicks off with Colin Stetson and Cristobal Tapia de Veer, and it only goes from there. So subscribe on your favorite podcast platform, follow The Film Scorer on Instagram, Twitter, Threads, and Bluesky, and keep those ears open!
- Mar 23, 202638 min
The "Best" Film Scores of 2025
Although we're now a couple months into 2026, I finally present you with the "best" film scores of 2025. As usual, there are some very mainstream scores in here that most observers would agree with and there are a few left field choices. If you're a longtime listener, that shouldn't surprise you. As with all of these lists, although I say they're the "best", what I really mean is these are my favorites. Who's to say what's really the best? Surely not me. This was a much harder list for me to put together than in recent years - there were a few scores that I immediately knew were going to make it, but a number of others where it took a lot more consideration, noticing that the passage of time had changed how I'd viewed a score (for better or worse); ultimately these lists are just a snapshot in time, but some decisions were made based on how I felt now while others were made based on how I felt in the past. It's a good reminder as to the subjectivity of each of these lists, at how you felt when seeing the film impacts your memory of it (and its score) forever on. But all things considered, I'm happy to say that 2025 was another solid year, with a deep set of great scores that stretch far beyond the same handful that received most attention during the year-end awards and recaps. If you can't control yourself, look below to see what scores I picked, though you'll miss out on the why of it all (and given some of the choices, the why is pretty important). Baby Invasion – Burial Sinners – Ludwig Göransson Anemone – Bobby Krlic 28 Years Later - Young Fathers Eddington – Bobby Krlic and Daniel Pemberton Marty Supreme – Daniel Lopatin Fantastic Four: First Steps - Michael Giacchino The Accountant 2 - Bryce Dessner F1 - Hans Zimmer The Shrouds - Howard Shore
- Feb 22, 202612 min
Awards Season 2026: Best Original Scores at the BAFTAs and the Oscars
Awards season is nearing its end, with the BAFTAs later today, February 22, and the Oscars coming on March 15. I'll always say that, although I'm by no means a massive fan (or detractor) of film awards, I'm always happy that it's the one time of year where film music gets to be widely celebrated. The nominee slates also provide great peaks into the state of modern, mainstream film music, and this year's selections are a great cross-section of style and approach. And of course, it gives me an excuse to talk about them a little bit, so read below then listen on. Of the nominees, I interviewed Max Richter for Hamnet and also interviewed Jerskin Fendrix near the end of 2023 for Poor Things (which I would have swore was not that long ago...). This year, the nominees for both sets of awards are the same: Bugonia – Jerskin Fendrix (Interview) Frankenstein – Alexandre Desplat Hamnet – Max Richter (Interview) One Battle After Another – Jonny Greenwood Sinners – Ludwig Göransson
- Jan 14, 202645 min
Simon Franglen Scores Avatar: Fire and Ash
You poor fools - imagine thinking that The Film Scorer was actually on hiatus? Far, far from the truth. Ending the fifteen second break I took after interviewing Daniel Lopatin is Simon Franglen! For those that don't know, Simon is fresh off of scoring Avatar: Fire and Ash, having already scored Avatar: The Way of Water and working with longtime collaborator James Horner on the first film. This is a much less tangential interview than normal, with essentially our whole focus revolving around Avatar: creating and expanding the palette, the scope and breadth of themes, his prior work with James Horner and carrying a core team through all three films, and, above all, making sure the boss (Jim Cameron) is happy. Simon's score for Avatar: Fire and Ash and the rest of his music is available on all major platforms. Avatar: Fire and Ash is currently in theaters, and if we're lucky there might be a few more Avatar films on the way some day. You can find out more about Simon on his website.
- Dec 22, 202525 min
Daniel Lopatin (Oneohtrix Point Never) Talks Marty Supreme
Here we are, in the dead zone between seasons, where all should be silent. But a voice calls out from the darkness. Who could it be...? Well my friends, that voice belongs to one Daniel Lopatin, also known as Oneohtrix Point Never (alongside your humble host, of course). Daniel has just scored Marty Supreme, and I can vouch that both film and score are great, certainly landing upon my top tens of the year. Unsurprisingly, then, Daniel and I spend most of the conversation talking about Marty Supreme, including musical anachronism, inspiration from sports films, and long nights spent with Josh Safdie. Daniel's score for Marty Supreme is forthcoming (though having heard an advance version, I can vouch that it's great) and the rest of his music is available on all major platforms.
- Nov 9, 202520 min
Max Richter Talks Hamnet
The end is here! Well, the end of season 5 at least. That's right, after over twelve months the season is finally over (making it, I think, the longest season of The Film Scorer yet), and what better wait to celebrate than to chat with Max Richter? Max's (Ad Astra, The Leftovers) latest (Oscar nominated) score is for the incredible historical drama Hamnet, a fictionalized account of the death of William Shakespeare and his wife Agnes's son Hamnet and how it inspired the creation of Hamlet. Unsurprisingly, we spend most of our conversation on Hamnet, but despite the quick interview we manage to cover a lot of other ground too, such as the use of "On the Nature of Daylight" over the years, the troubled production of Ad Astra, and how a musician's intent goes only so far once their music reaches an audience. Max's score for Hamnet is forthcoming (though having heard an advance version, I can vouch that it's great) and the rest of his music is available on all major platforms. You can find out more about Max on his website. In addition to Hamnet's pending release, Max just announced some 2026 tour dates.
- Oct 19, 202545 min
Chat Pile
There are a few perks to running every aspect of this site and podcast, the biggest being picking who I want to interview (and avoiding whomever I don't). Part of that, sometimes, is using film music as an excuse to interview bands that I just broadly like. Enter: Chat Pile. The Oklahoma noise rock band has one score under their belt, the 2022 indie crime flick Tenkiller, which they released as a score album after their debut God's Country, and have provided some songs for other films, most recently a track for the end credits to V/H/S/Halloween. Not to mention, they routinely talk about movies, including during their gigs. All perfect hooks to have them on, and so today I'm talking with vocalist Raygun Busch and guitarist Luther Manhole. As such, we jump around quite a bit: from their experience scoring Tenkiller, how movies brought them together and provide a mutual love, and some recent (and not to recent) scores that they've enjoyed (I'll note that at one point Ray is talking about the Bossa Nova score for Black Orpheus before getting interrupted by his dog...). We wrap up on a bit of a detour, actually talking about the economics of albums and touring, and how much a role cost of living plays into that. Chat Pile's music is available on all major platforms, chief among them being Bandcamp, or you can seek out their music physically. You can find out more about Chat Pile on their website and they have a new album on the horizon, In The Earth Again which they've co-written with Hayden Pedigo, coming out October 31st.
About The Film Scorer
The Film Scorer Podcast features a wide array of long-form interviews with film composers, including up-and-comers, established veterans, and everybody in between. Hear first-hand from masters of the craft about the film scoring process, see behind-the-scenes, and learn all about the art of film and film music.
Customized Recaps
AI-powered recaps with compact key takeaways, quotes, and insights.
Straight to Your Inbox
Get key takeaways from The Film Scorer in a 5-minute read.
Save Hours Every Week
Stay current on your favorite podcasts without falling behind.
Frequently Asked Questions
What is Podzilla's The Film Scorer daily summary?
It's a free AI-powered email that summarizes new episodes of The Film Scorer as soon as they're published. You get the key takeaways, notable quotes, and links & mentions — all in a quick read.
How does the The Film Scorer podcast summary work?
When a new episode drops, our AI transcribes and analyzes it, then generates a personalized summary tailored to your interests and profession. It's delivered to your inbox every morning.
Is this an official The Film Scorer product?
No. Podzilla is an independent service that summarizes publicly available podcast content. We're not affiliated with or endorsed by Nicholas Marcus.
Can I get summaries of other podcasts too?
Absolutely! The free plan covers up to 3 podcasts. Upgrade to Pro for 15, or Premium for 50. Browse our full catalog at /podcasts.
How often does The Film Scorer release new episodes?
The Film Scorer publishes biweekly. Our AI generates a summary within hours of each new episode.
What topics does The Film Scorer cover?
The Film Scorer covers topics including Music, Film, TV & Film, Comedy Interviews. Our AI identifies the specific themes in each episode and highlights what matters most to you.
Start getting The Film Scorer summaries tomorrow morning.
Free forever for up to 3 podcasts. No credit card required.
Free forever for up to 3 podcasts. No credit card required.