
Free Daily Podcast Summary
by Dan Delgado
The Industry is a podcast that takes a closer look at some of the lesser known (and perhaps intentionally) forgotten stories of movie history. Insane productions, scandalous lawsuits, victories from the jaws of defeat, and the occasional crime are the order of the day in this Industry. Each story is explored with experts who know or with the people who were there. Hosted on Acast. See acast.com/privacy for more information.
The most recent episodes — sign up to get AI-powered summaries of each one.
Gee Malik Linton spent nearly a decade trying to make his first film before finally getting one, Daughter of God, off the ground with backing from Keanu Reeves—only to lose control of it mid-production after unknowingly signing away his final cut. What the studio thought they were buying and what Linton delivered were two entirely different movies. In this episode he tells the story of his film, which starred Reeves and a then unknown Ana de Armas, how it got away from him, and how he was able to get it back.Sources in this Episode:Gee Malik Linton’s Restored DAUGHTER OF GOD - TrembleSighWonder.com Hosted on Acast. See acast.com/privacy for more information.
When Bonnie and Clyde arrived in 1967, it sparked a fierce debate among film critics. At the center of that debate was New York Times critic Bosley Crowther, who publicly opposed the film even as its reputation grew. This episode looks at Crowther’s battle with the movie, the critics who disagreed with him, and what the controversy reveals about a changing era in American cinema.Sources in this EpisodeTimes Announcement. “Crowther Named Critic Emeritus; Renata Adler of New Yorker to Review Films for Times.” The New York Times, November 20, 1967.Crowther, Bosley. “Run, Bonnie and Clyde: Run, Bonnie.” The New York Times, September 3, 1967. ProQuest.Crowther, Bosley. “Screen: ‘Bonnie and Clyde’ Arrives: Careers of Murderers Pictured as Farce.” The New York Times, August 14, 1967. ProQuest.Crowther, Bosley. “Shoot-’Em-Up Film Opens World Fete.” The New York Times, August 7, 1967. ProQuest.Harris, Mark. Pictures at a Revolution: Five Movies and the Birth of the New Hollywood. New York: Penguin Press, 2008.Lubow, Arthur. “Renata Adler Is Making Enemies Again.” The New York Times, January 16, 2000.Martin, Charlie. “The Saga of Bosley Crowther: That Time Film Criticism Got Turned….” Medium. Hosted on Acast. See acast.com/privacy for more information.
The making of the quirky heist comedy The Linguini Incident is not a pleasant memory for writer-director Richard Shepard. Yes, he had a great cast including David Bowie and Rosana Arquette. He also was under funded and overwhelmed and eventually lost final cut. However, the sting of this failure never fully left him and thirty years later he set out to correct it. Shepard and Linguini Incident co-star Eszter Balint help tell this story of a missed opportunity and what it means to reclaim your past.LinksCheck out Eszter Balint's latest albumTHE LINGUINI INCIDENT -- DIRECTOR'S CUT (2024) TRAILERSourcesDavid Bowie - Today Show (USA TV) - INTERVIEW ABOUT THE LINGUINI INCIDENT - 28 April 1992David Bowie - Good Morning America - Interview On The Set Of The Linguini Incident Hosted on Acast. See acast.com/privacy for more information.
Season 2 of Closing Night is finally here—the theater history podcast that takes you behind the curtain to uncover stories about famous and forgotten Broadway show that closed too soon. While season 1 focused on musicals that came and went from the Marquis Theatre, this season host Patrick Oliver Jones is tackling a whole new kind of theatrical heartbreak: shows that never actually opened on Broadway. These are the productions that fizzled out during out-of-town tryouts or preview performances, including Lone Star Love, The Little Prince and the Aviator, Lolita, My Love, Let My People Come, and Breakfast at Tiffany’s, among others. Episodes start at the end of January and will drop once a month throughout the year, with the first episode being all about Annie 2: Miss Hannigan’s Revenge, which was actually slated to open at the Marquis Theatre but was canceled after a disastrous run in Washington, DC.Make sure to follow Closing Night on your favorite podcast app and stay connected on Instagram at @closingnightpodcast. Hosted on Acast. See acast.com/privacy for more information.
Presenting an episode from Noiser and Airship's podcast History Daily.On History Daily, they do history, daily. Every weekday, Lindsay Graham (American Scandal, American History Tellers) takes you back in time to explore a momentous moment that happened ‘on this day’ in history. This episode is about our favorite kind of history, film history.The day is May 1, 1941. Orson Welles’ revolutionary debut “Citizen Kane” premieres in New York after a bitter battle to suppress the film. Learn more about History Daily. Hosted on Acast. See acast.com/privacy for more information.
Something different from the creator of The Industry is coming soon. Here's a short preview of Stories My Brother Used To Tell.My older brother Eric would often tell stories of his misspent youth at family gatherings. Seemingly always about a car or girl or both, these ridiculous stories seemed almost impossible to believe. Now, after years of pestering, I've gotten him to share a few of those stories in a new podcast.Subscribe wherever you're subscribed to The Industry or use this link: Stories My Brother Used To Tell Hosted on Acast. See acast.com/privacy for more information.
In 1982 British filmmakerJames Scott had made an Academy Award winning adaptation of a Graham Greene novella. Adapting another Greene novella, this time as a feature length film, seemed like a natural progression of things. He had Greene's blessing to take his novella Loser Takes All and turn into a film that would feature stage star Robert Lindsay and Molly Ringwald. He had every element in place. Almost. The only thing left was getting American distribution. And that was found when a deal was struck with Miramax. All that James Scott had to do in order to get his modest British comedy made was deal with a producer named Harvey Weinstein, who had a lot of ideas on how this film should be made.LinksJames Scott's WebsiteSourcesRizov, Vadim. The Legend of Harvey Scissorhands. MTV.com, August 9, 2013.https://www.mtv.com/news/zs4qqu/harvey-weinstein-snowpiercer-cutsRingwald, Molly. All The Other Harvey Weinsteins. The New Yorker, October 17, 2017.https://www.newyorker.com/culture/cultural-comment/all-the-other-harveysRobert Lindsay: 'Monster' Weinstein blacklisted me. BBC.com, November 9, 2017.https://www.bbc.com/news/av/entertainment-arts-41927167Connelly, Christopher. The Heartbreak Kid. Premiere Magazine, July 1990. Hosted on Acast. See acast.com/privacy for more information.
Elaine May will always be best known for her comedy with Mike Nichols and her screenwriting skills. However, as a director May is an uncompromising force who seemingly would do whatever it takes to get her vision on the screen. This episode looks at the great lengths May went to in order to get Mikey and Nicky, a lifelong passion project made, and what that lack of compromise cost her.Author Patrick Cooper, director of photography/cameraman Jack Cooperman, and an unnamed crewmember help tell this story of a seemingly simple production that was anything but.LinksCheck out Patrick Cooper's book Aren't You Gonna Die Someday?Courtney Kocak's podcasts are Podcast Bestie and The BleedersArticlesBefore the Snyder Cut: Look back at other Hollywood director's cuts (ew.com)Cock, Jay. Cinema: Hit Men. Time Magazine. January 31st, 1977.https://content.time.com/time/subscriber/article/0,33009,918649,00.htmlMIKEY AND NICKY - HOLLOW SQUARE PRESS Hosted on Acast. See acast.com/privacy for more information.
The Industry is a podcast that takes a closer look at some of the lesser known (and perhaps intentionally) forgotten stories of movie history. Insane productions, scandalous lawsuits, victories from the jaws of defeat, and the occasional crime are the order of the day in this Industry. Each story is explored with experts who know or with the people who were there. Hosted on Acast. See acast.com/privacy for more information.
AI-powered recaps with compact key takeaways, quotes, and insights.
Get key takeaways from The Industry: A Film History Podcast in a 5-minute read.
Stay current on your favorite podcasts without falling behind.
It's a free AI-powered email that summarizes new episodes of The Industry: A Film History Podcast as soon as they're published. You get the key takeaways, notable quotes, and links & mentions — all in a quick read.
When a new episode drops, our AI transcribes and analyzes it, then generates a personalized summary tailored to your interests and profession. It's delivered to your inbox every morning.
No. Podzilla is an independent service that summarizes publicly available podcast content. We're not affiliated with or endorsed by Dan Delgado.
Absolutely! The free plan covers up to 3 podcasts. Upgrade to Pro for 15, or Premium for 50. Browse our full catalog at /podcasts.
The Industry: A Film History Podcast publishes biweekly. Our AI generates a summary within hours of each new episode.
The Industry: A Film History Podcast covers topics including History, Documentary, Culture, Film, Society & Culture, TV & Film. Our AI identifies the specific themes in each episode and highlights what matters most to you.
Free forever for up to 3 podcasts. No credit card required.
Free forever for up to 3 podcasts. No credit card required.