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by Neale James
The Photowalk is a mailbag-driven podcast where we walk and make pictures together, and meet with special guests along the trail. For anyone who likes to take pictures.
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We pass roadside memorials every day. A cross, a handful of fading flowers, a photograph weathered by the sun. Most of us glance at them for a moment before driving on. Photographer Miranda Remington did something different. She stopped. What began as a simple act of curiosity became a deeply personal project, introducing her to families who continue to care for these places of remembrance and sharing the stories behind them. In this conversation, we explore photography's unique ability to preserve memory, the trust required to tell someone else's story, and why some acts of love don't end with goodbye. It's a remarkable reminder that every memorial marks not just a loss, but a life that continues to be remembered. Plus, in the mailbag, Adam Flack and Mark Mackay reveal their dream portrait photographers, though one choice may require a time machine. Dan Langer finds himself inadvertently ruffling military feathers, Gordon Oliver shares a rabbit hole that completely hijacked my evening, and Mark Christensen has found the new collective noun for a 'gaggle' of photographers. Read more about our photographic adventures on our photography travel website, The Journey Beyond. Links to all guests and features will be on the show page, my sincere thanks to our Extra Milers, without whom we wouldn't be walking each week and Arthelper.ai, giving photographers smart tools to plan, promote, and manage your creative projects more easily. BUY THE NEW SHOW ZINE, REFLECTIONS
This week, The Photowalk explores the story of Notting Hill Carnival through the people who have lived it, photographed it and helped shape it over the decades. My lead guest is photographer Wayne Crichlow, co-author of Carnival of Resistance, a remarkable new book documenting Carnival through the eyes of those who know it best. Along the way, our conversation takes some unexpected turns. We meet London documentary photographer Sam Shervington, whose grandmother, Barbara, was there during Carnival's formative years, and Wilf Walker OBE, a music promoter whose story spans from the early days of Notting Hill Carnival to the fields of Glastonbury. Also today, we talk of Charlie Phillips, whose camera created one of the most important visual records of London's Caribbean community. We look back at the Mangrove Nine, discover the traditions behind J'ouvert and Jab Jab, and meet some of the people whose lives have become woven into the history of Carnival itself. Read more about our photographic adventures on our photography travel website, The Journey Beyond. Links to all guests and features will be on the show page, my sincere thanks to our Extra Milers, without whom we wouldn't be walking each week and Arthelper.ai, giving photographers smart tools to plan, promote, and manage your creative projects more easily. BUY THE NEW SHOW ZINE, REFLECTIONS
This week, the conversation with Harry Borden moves beyond the portraits that made his name and into the ideas that continue to drive him. We talk about his "why", his growing YouTube channel and the deeply personal 4 Hugs Wide project. Harry also reflects on the detached retina that changed his outlook on life and speaks openly about a particularly difficult period, so just a gentle note that this part of the conversation touches on mental health. It's an honest, thoughtful and optimistic discussion with one of Britain's most respected portrait photographers. From the mailbag, we have some Hoptimism from Denmarkland too... and with an H. All will be revealed in a letter from Hegaard the Dane. If you don't believe in the power of a photograph, then Jim Farmer just might change your mind with today's opening letter. Chris Rawlings puts photography, AI and digital art into the same boxing ring with a question that's sure to divide opinion. We've got some biscuit tin answers to the question, "Which photographer, past or present, would you choose to make your portrait?" Valerie Jardin returns with this month's Teach Me Street, where she's very happily disappearing into a world of black and white, and the last letter of the show has a tortoise theme. Read more about our photographic adventures on our photography travel website, The Journey Beyond. Links to all guests and features will be on the show page, my sincere thanks to our Extra Milers, without whom we wouldn't be walking each week and Arthelper.ai, giving photographers smart tools to plan, promote, and manage your creative projects more easily. BUY THE NEW SHOW ZINE, REFLECTIONS
Harry Borden has spent more than four decades photographing some of the world's most recognisable faces. His portraits of actors, musicians, business leaders and every UK Prime Minister from Margaret Thatcher onwards have appeared in publications including The Observer, The Guardian, The Sunday Times Magazine and Vanity Fair. But behind those well-known portraits is a photographer equally drawn to quieter, more personal work. In the first of a two-week conversation, Harry joins me to talk about photographing celebrities, captains of industry, and Prime Ministers; how he approaches portraiture when the clock is ticking; and why curiosity has always mattered more than reputation. We also begin exploring some of the personal projects that have shaped his career, before next week's episode turns more towards the story of Harry himself. The mailbag is in particularly good form this week, too. Michael Assmann writes a thoughtful and moving letter about fatherhood, Paul Holdorf shares a photo essay on darkness. Sandro Correia wonders how to rediscover his love of photography. Paul Eaves pens an unexpectedly poetic tribute to his washing machine, we unveil a brand-new Biscuit Tin Question, bring the latest quarterly photo assignment to a close, and hand over the next challenge to none other than portrait photographer Platon. Read more about our photographic adventures on our photography travel website, The Journey Beyond. Links to all guests and features will be on the show page, my sincere thanks to our Extra Milers, without whom we wouldn't be walking each week and Arthelper.ai, giving photographers smart tools to plan, promote, and manage your creative projects more easily. BUY THE NEW SHOW ZINE, REFLECTIONS
What makes someone spend years restoring a traction engine, collecting children's bicycles, or keeping an old British car on the road when most of us would have given up long ago? This week, The Photowalk heads to the Dene Rally, where members of our community join me for a weekend of photography, conversation and a series of photographic challenges. We meet those who dedicate their lives to the magic of steam, there are family stories attached to classic cars, cowboys looking for new horizons in sleepy Hampshire, spooky fairground attractions, portraits with strangers and a story that proves the power of legacy negatives. Read more about our photographic adventures on our photography travel website, The Journey Beyond. Links to all guests and features will be on the show page, my sincere thanks to our Extra Milers, without whom we wouldn't be walking each week and Arthelper.ai, giving photographers smart tools to plan, promote, and manage your creative projects more easily.
This week, The Photowalk returns to the Scottish Highlands for a special show recorded during our latest 2026 retreat in Scotland. Together, we follow the Black Water as it gathers pace through the woodland gorge at Rogie Falls, find historic scenes in Cromarty, explore the wartime shoreline of Roseisle Beach, and spend time beside Loch Maree, one of Scotland's most celebrated lochs, where the mountain of Slioch rises directly from the water, just shouting for pictures to be made! Along the way, there are conversations about photography, friendship, creativity, large-format cameras, and the unexpected power of writing, not simply as a way of recording thoughts, but as a way of discovering them. Joined by Lynn Fraser, Michael Assmann, John Anderton and Giles Penfound, this journey takes you through a part of Scotland that has become deeply woven into the story of The Photowalk. Read more about our photographic adventures on our photography travel website, The Journey Beyond. Links to all guests and features will be on the show page, my sincere thanks to our Extra Milers, without whom we wouldn't be walking each week and Arthelper.ai, giving photographers smart tools to plan, promote, and manage your creative projects more easily.
This week, The Photowalk is on retreat in Scotland, and we head indoors to the Highland Print Studio in Inverness for an experience that's a world away from the instant gratification of modern photography. Over two days, we learn the centuries-old art of photogravure, transforming digital photographs into richly textured fine art prints through a very special process, and an extraordinary amount of patience. Guided by master printmaker John McKnot, and joined by photowalkers Lynn Fraser, Giles Penfound, Michael Assmann and John Anderton, we discover why so many photographers become captivated by this tactile craft. Along the way, we explore the history of photogravure, meet some of the artists who have embraced it, and find out why, in an age of endless scrolling, there is still something magical about slowing down and making a timeless print you can truly hold in your hands. Read more about our photographic adventures on our photography travel website, The Journey Beyond. Links to all guests and features will be on the show page, my sincere thanks to our Extra Milers, without whom we wouldn't be walking each week and Arthelper.ai, giving photographers smart tools to plan, promote, and manage your creative projects more easily. WHY: A Sketchbook of Life is available HERE.
While I'm away in Scotland leading the Scotland 2026 retreat, I thought it would be fitting to bring you a special edition from The Photowalk archive. So, it's an interview-only special where I'm revisiting two conversations with Scottish photographers whose work has left a lasting impression on me, and whose careers have taken them in very different directions. Albert Watson was born in Edinburgh and has spent more than five decades producing some of the most recognisable photographs ever made. From portraits of actors, musicians and world leaders to fashion and commercial work, his images have appeared on countless magazine covers and gallery walls around the world. Kieran Dodds grew up in the Highlands and is known for thoughtful long-term documentary projects that explore people, place and identity. We revisit his fascinating Gingers project, which saw him travel the globe photographing red-haired people in countries where you might least expect to find them. Two photographers, two very different careers, and a chance to hear again from a pair of Scots whose work continues to inspire photographers around the world. The NEW Zine is launched: REFLECTIONS. Read more about our photographic adventures on our photography travel website, The Journey Beyond. Links to all guests and features will be on the show page, my sincere thanks to our Extra Milers, without whom we wouldn't be walking each week and Arthelper.ai, giving photographers smart tools to plan, promote, and manage your creative projects more easily. WHY: A Sketchbook of Life is available HERE.
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The Photowalk is a mailbag-driven podcast where we walk and make pictures together, and meet with special guests along the trail. For anyone who likes to take pictures.
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