
Cinematographer Bella Gonzales talks with Mike White about shooting the season 4 premiere of Ted Lasso, the episode that sends Ted back to Kansas for the first time since the show began. Gonzales, brought on by director Declan Lowney as the show's first American DP, explains how she and showrunner Jason Sudeikis worked to make the Kansas scenes feel distinct from the series' established English look without resorting to an overtly "American" filter — dusky light, a three-filter stack, and a deliberate Wizard of Oz reference when the characters first step off the plane.Gonzales traces her path to the show through her years on Fargo (seasons 4 and 5) and Alien: Earth, where she worked alongside DPs Colin Watkinson and Dave Franco, and talks about the prep process behind Ted Lasso — full shot lists, overheads, and photo boards built with Lowney and longtime series DP David Rom and Vanessa Whyte. She also gets into her approach to blocking (including the deceptively simple staging of Nate's Backyard Barbecue), the influence of her father's decades on film crews, and what she's working on next for Apple TV+.Become a supporter of this podcast: https://www.spreaker.com/podcast/the-projection-booth--5513239/support.Become a supporter of The Projection Booth at http://www.patreon.com/projectionbooth
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