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by The Ringer
The Rewatchables features The Ringer’s Bill Simmons and a roundtable of movie lovers from the Ringer universe discussing movies they can’t seem to stop watching. The show covers films such as Pulp Fiction, Silence of the Lambs, John Wick, Alien, Indiana Jones and the Last Crusade, and many more classics.
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Bill, Chris, and Joanna make a wish to revisit Curry Barker’s 2026 phenomenon, ‘Obsession,’ starring Inde Navarrette and Michael Johnston. Producers: Craig Horlbeck, Chia Hao Tat, Eduardo Ocampo, Chris Wohlers, and Kevin Cureghian Learn more about your ad choices. Visit podcastchoices.com/adchoices
The podcast episode rewatchably revisits the 2005 Will Smith rom-com Hitch, analyzing its cultural significance, enduring appeal, and place in the evolution of romantic comedies. The hosts — Van Lathan, Mina Kimes, and Craig — explore how the film's success was shaped by Will Smith's unique star power, the racial dynamics of casting, and its timing at the tail end of the traditional rom-com era, ultimately arguing that Hitch endures not because of its plot, but because of the emotional truth in its portrayal of vulnerability, connection, and the universal desire to be seen.
She's the One, Ed Burns' 1996 follow-up to his breakout Brothers McMullen, is a mid-90s rom-com dissected by the Rewatchables crew as a time capsule of Gen X anxieties, Long Island masculinity, and the fleeting promise of indie film stardom. While Sean Fennessey and Wesley Morris find deep personal resonance in its themes of commitment, identity, and Irish Catholic guilt, Craig Horlbeck delivers a dissenting verdict, calling the film clunky and overrated.
Michael Mann's 2001 biopic Ali, starring Will Smith, is a flawed but ambitious attempt to capture the myth and man behind Muhammad Ali, focusing on his political awakening and personal sacrifices rather than just his boxing prowess. The film stumbles with pacing and tone but earns rewatchability through its electrifying opening sequence and Mann’s signature visual style.
The Rewatchables crew dives into the 1990 real estate thriller Pacific Heights, celebrating its status as a forgotten-yet-brilliant '90s gem, dissecting Michael Keaton’s chilling performance as a sociopathic tenant, and roasting Matthew Modine’s over-the-top landlord antics. The conversation blends nostalgia, absurd humor, and deep-cut film analysis.
The Rewatchables crew dives into The Good Son, a 1993 thriller starring Macaulay Culkin as a psychopathic child, dissecting its legacy, craft, and the cultural moment it captured. The conversation blends humor, film analysis, and personal reflection on parenting, fame, and 90s nostalgia.
Domestic Disturbance, a 2001 thriller starring John Travolta and Vince Vaughn, is a gloriously bad 'From Hell' movie that somehow remains rewatchable due to its baffling choices, unintentional comedy, and star-studded misfires. It’s a film that feels like a checklist of bad thriller tropes executed with zero coherence.
The Rewatchables crew dives into the 1992 psychological thriller The Hand That Rocks the Cradle, unpacking its enduring appeal as a quintessential 'from hell' movie, praising Rebecca De Mornay’s chilling performance, and dissecting the film’s cultural legacy, absurdities, and 90s nostalgia.
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The Rewatchables features The Ringer’s Bill Simmons and a roundtable of movie lovers from the Ringer universe discussing movies they can’t seem to stop watching. The show covers films such as Pulp Fiction, Silence of the Lambs, John Wick, Alien, Indiana Jones and the Last Crusade, and many more classics.
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The Rewatchables covers topics including Film, TV & Film. Our AI identifies the specific themes in each episode and highlights what matters most to you.
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