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by The Sleepless Cinematic Podcast
Emilio, Madeline, and Julian love music, and spend their afternoons and evenings working for and teaching at a music school in midtown Manhattan. But they also really love movies. A lot. So when they're done teaching, they stay up late and discuss a movie, sometimes a few, that they've all agreed to see recently. Opinions, musings, personal stories, and sincere film enthusiasm ensue.
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Madeline, Julian, and Emilio continue their cycle of Offbeat Musicals with a "Two-Shot" on a pair of turn-of-the-millennium glam-rock extravaganzas: Todd Haynes' "Velvet Goldmine" (1998) and John Cameron Mitchell's "Hedwig and the Angry Inch" (2001). Marking their fifth - yes, fifth - discussion on a Todd Haynes film, the trio begin by unpacking "Velvet Goldmine" and its refraction of the legacies of 1970s glam-rock icons such as David Bowie, Iggy Pop, Lou Reed, T. Rex, and Roxy Music. Presen...
Continuing with the cycle theme of “Offbeat Musicals”, Julian and Madeline draw from the conception of their friendship with a joint suggestion - Leos Carax’s “Annette” (2021). Joining Emilio as a first-time viewer is actor and puppeteer Kelly Autry, a friend of Madeline’s since tweendom. Our two seasoned Sparks fans share their background with the musical duo, who write and compose the music for this film, and try their best to initiate those who are new to the band’s unique musical style. A...
For the "Offbeat Musical" cycle's Mise-Unseen episode, Emilio and Julian come in brick cold (and Madeline a tad less frigid) to their selected film for discussion - 'The Happiness of The Katakuris', Takashi Miike's surreal horror/dramedy/musical from 2001' about a down-on-their-luck family banding together to run a struggling roadside inn, only to endure a string of unfortunate events. They are joined by cinephile and film recommender extraordinaire Lexi Amoriello, who had seen this wac...
This week, Madeline, Julian and Emilio kick off a new cycle dedicated to "Offbeat Musicals" with perhaps the pre-eminent offbeat musical movie: 'Little Shop of Horrors', released in 1986, directed by Frank Oz, featuring standout performances from Rick Moranis, Ellen Greene, and Levi Stubbs as Audrey II, anchored by the iconic score from Howard Ashman and Alan Menken. It's a Viewnanimous pick, and they are joined by composer/performer/teacher/great human/"Little Shop" enthusiast Will Rey...
This week, Emilio, Madeline, and Julian welcome in fellow podcaster Christian Garcia for a bonus episode to discuss 'Written on the Wind', Douglas Sirk's seminal romantic melodrama from 1956 starring Rock Hudson, Lauren Bacall, Robert Stack, and Dorothy Malone in an Oscar-winning performance. This was a first watch for everyone involved, but a welcome initiation to the aesthetic and thematic paths on which Sirk often tread. The group digs into the reach and influence that this film had on mod...
Madeline, Emilio, and Julian are rejoined by film editor and all-around great cinephile hang James Codoyannis to wrap up their cycle of Oscar-Worthy Rom-Coms with a "Close-Up" on three films written by the prolific Neil Simon. For the first "Close-Up" episode devoted to a screenwriter, the group bring their varied histories with Simon's body of work, on screen and on stage, to viewings of 1967's "Barefoot in the Park," directed by Gene Saks, 1972's "The Heartbreak Kid," directed by Elaine May...
We've been breaking down Oscar Worthy Rom Coms for several weeks now, but what about movies that didn't get nominations or wins but absolutely should have? This week, Madeline, Julian and Emilio, along with their guests from our latest cycle, share their picks for romantic comedies that never got the Oscar love they deserved. These selections range from obvious snubs to cult classics misunderstood upon initial release to unapologetic personal picks from the heart. A huge t...
This week, Julian, Emilio, and Madeline are joined by comedian Sydney Duncan to discuss two films that launched their leading ladies to superstardom - William Wyler’s “Roman Holiday” from 1953 and Garry Marshall’s “Pretty Woman” from 1990. The group draws comparisons both salient and subtle, and examines the aspects of Audrey Hepburn and Julia Roberts’ performances that solidify these roles as their breakouts. The group also discusses the role that class plays in each of these films and the r...
Emilio, Madeline, and Julian love music, and spend their afternoons and evenings working for and teaching at a music school in midtown Manhattan. But they also really love movies. A lot. So when they're done teaching, they stay up late and discuss a movie, sometimes a few, that they've all agreed to see recently. Opinions, musings, personal stories, and sincere film enthusiasm ensue.
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