
Free Daily Podcast Summary
by Mark Ellen, David Hepworth and Alex Gold
Mark Ellen and David Hepworth have been talking about and writing about music together and individually for a collective eighty years in magazines like Smash Hits, Mojo and The Word and on radio and TV programmes like "Rock On", "Whistle Test" and VH-1. Over thirteen years ago, when working on the late magazine The Word, they began producing podcasts. Some listeners have been kind enough to say these have been very special to them. When the magazine folded in 2012 they kept the spirit of those podcasts alive in regular Word In Your Ear evenings in which they spoke to musicians and authors in front of an audience. Over these years they've produced hundreds of hours of material. As of the Current Unpleasantness of 2020, they've produced yet hundreds of hours more with a little help from guests kind enough to digitally show them around their attics such as Danny Baker, Andy Partridge, Sir Tim Rice and Mark Lewisohn.
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Jon Savage detested the UK’s mid-‘70s hits with a vengeance, “records so bad they made you want to strangle every deejay on Radio One, especially Dave Lee Travis”. Which is why he’s compiled ‘Jon Savage’s 1976: Something Was Going To Happen’, 24 ground-breaking tracks released the same year that paved the way to the future. He looks back here from his home in Anglesey at the thrill of hearing them the first time aged 22, the many highlights including …… hilarious memories of the nauseating Jeans On, Fernando, No Charge, Combine Harvester and Save Your Kisses For Me… and his undying love for Eddie and the Hot Rods, Pere Ubu, Candi Station, Burning Spear, Miami and the Flamin’ Groovies… cheap Ronco and K-Tel compilations and Radio One’s stranglehold on popular taste… what happened at parties when you took off Steely Dan and played the Ramones… “reggae records never seem to date”… seeing the Runaways at the Roundhouse and the Clash at Fulham Town Hall with the future Poly Styrene… the first review he ever had published… the early ‘70s ‘underground’ - psychedelia, prog, metal, glam, reggae and disco… and hunting for records at One Stop, Dobells and Harlequin.Order copies of Jon Savage’s 1976 album here: https://www.acerecords.co.uk/jon-savages-1976-something-was-going-to-happenAnd look out for Jon’s brilliant books, among themEngland’s Dreaming (about to be republished with a new Derek Jarman cover), Teenage and 1966.Help us to keep The Longest Continuous Conversation In Rock'n'Roll going: https://www.patreon.com/wordinyourear Hosted on Acast. See acast.com/privacy for more information.
The two-man conversational canoe paddles the rock and roll tideway, stopping off this week at …… Van Morrison’s set-opener is Kidney Stew Blues by Eddie ‘Cleanhead’ Vinson. Do people have to play their big hits?… what’s the key ingredient in success?... “all great albums automatically have great sleeves. Bar one!”… does Beyonce have a horsefly named after her? Is there a Jerry Garcia wood roach? A Sting tree-frog?… U2’s new album cover is an Abbey Road pastiche. So … is this their swansong?… “dress for the job you want, not the job you have”… Elvis, Stones, psychedelia, Be Bop Deluxe, power pop, punk, Pete Doherty: rock stars in ‘statement’ ties… the many ways Songs In The Key Of Life was a masterpiece… plus “fibrous weaves, over-stuffed loons”, the Plimsouls, the Roaring Boys, Josh Rouse and birthday guest James Ewen.Help us to keep The Longest Continuous Conversation In Rock'n'Roll going: https://www.patreon.com/wordinyourear Hosted on Acast. See acast.com/privacy for more information.
While Mark Ellen visits his Scottish estates, David Hepworth and Alex Gold keep the home fires burning with a wide-ranging conversation, taking in:• why every band containing a pair of brothers seems to inevitably succumb to fraternal warfare • how Ed Sheeran found himself caught in the cross-fire between a multi-millionaire and a bunch of support acts keen not to get caught on the wrong side of a social media war• the fine line that divides a British cheese from a motorway service area• what are the best cases of “mailbox money” in show business?• does anybody else think gigs finish too early?Help us to keep The Longest Continuous Conversation In Rock'n'Roll going: https://www.patreon.com/wordinyourear Hosted on Acast. See acast.com/privacy for more information.
A whole new format we’ve invented for people who’ve been guests before and were so entertaining we wanted them back. So we’ve devised some random questions to spark a few memories and revelations. First up, Sid Griffin of the Long Ryders, touring the UK this autumn, who looks back here at his early life before he “went to L.A. to quote-unquote make it”. You’ll love this as much as we did, especially … … the Beatles song he knew he’d understand when he was older … his teenage band rehearsal when the drummer got a hammer in his head … the rock star he always wanted to be … what happens when you wear the bug-infested cap you find on a bus … DJ Carl ‘Weird Beard’ Markert burping in Pepsi commercials on WAKY Radio … Gregg Turner and the Angry Samoans – “bad songs in bad taste” … things he can still recite from childhood … the best use of music in a movie … how arch-rival Norrie Paramor made George Martin even richer … and the greatest B-side ever written. Plus English teacher Mrs Atlas and his deathless crush on Mimi Babcock. Long Ryders tickets here … thelongryders.com/tourHelp us to keep The Longest Continuous Conversation In Rock'n'Roll going: https://www.patreon.com/wordinyourear Hosted on Acast. See acast.com/privacy for more information.
“Good hair, good shoes, something to say” were the requirements of Indie Sleaze whose vanguard lit up the fading music press in the first decade of the 21st Century – acts like Franz Ferdinand, the Rakes, the Cribs, Kaiser Chiefs and Bloc Party. Janine Warren saw the Strokes in Camden in 2001 and life took a whole new direction. Her book ‘The World Was A Mess But His Hair Was Perfect’ looks back at old-school rock PR, unmanageable bands, and the summit and collapse of the last scene she thinks we’ll ever see. You’ll enjoy … … Morrissey at St George’s Hall, Blackburn … deejaying at Liquidation in Liverpool playing psychedelia and Northern Soul … the impossible task of being Pete Doherty’s PR: “like sand running through your fingers” … the day its editor realised the NME was doomed … the indie dilemma: wanting fame and publicity while appearing not to care … the rise of Arctic Monkeys, the first big digital success story … the financial crash, big label panic, illegal file-share and other woes of the 2010 music business … why rock scenes are a thing of the past … and the greatest Indie Sleaze record ever made. Order copies of ‘The World Was A Mess But His Hair Was Perfect: the Last Indie Music Scene 2000-2010’ here:https://www.roughtrade.com/product/janine-warren-foreword-by-alex-kapranos/the-world-was-a-mess-but-his-hair-was-perfect-the-last-indie-music-scene-2000-2010?algolia_query_id=5510672a106c0f77be3b364fe1f570ce&algolia_object_id=57550933459275&algolia_index=shopify_prod_products&algolia_position=Help us to keep The Longest Continuous Conversation In Rock'n'Roll going: https://www.patreon.com/wordinyourear Hosted on Acast. See acast.com/privacy for more information.
This week’s news in three separate files - the Good, the Bad and the Befuddling. Which involves … … have Oasis created their own economy? … are stadium gigs now like historical re-enactment? … “people listen to music more intently in Manchester as they’re inside while it rains” … ‘includes All Things Must Pass miniature garden gnomes!’ The mad money-draining joy of the luxury box-set … when bands don’t change but audiences do …Sun = Happiness, Rain = Sorrow: lyrics as an emotional weather forecast … the pianist who wouldn’t play minor chords … Nicky Hopkins on records by the Kinks, Beatles, Who and Stones (“She’s A Rainbow was like a music-box Mozart”): has any session player made a more vital contribution? … “Lose two teeth in German nightclub brawl, go back to Burnage”: real and fictitious rock band Monopoly sets! … Blue Nile, Ann Peebles, Beautiful South, Paul Simon? What’s the best song about rain? Plus J Blackfoot, Paul Simon’s Kathy from Brentwood and birthday guest Matthew North.Help us to keep The Longest Continuous Conversation In Rock'n'Roll going: https://www.patreon.com/wordinyourear Hosted on Acast. See acast.com/privacy for more information.
Clint Boon was at the heart of “the two biggest musical revolutions of my lifetime” – as a teenager for Joy Division and Buzzcocks, and later the Stone Roses, Happy Mondays and Hacienda and onstage with Inspiral Carpets, a world of characters as big as his own. His memoir ‘The Manchester Chronicles’ is about obsessions, schoolteachers, purple winklepickers, mobile discos, good luck, catastrophe and being in the right place at the right time for 30 years. Along with … … why Manchester listens to music so intently: “we’re stuck inside while it rains” … auditioning Noel Gallagher “as the Lockerbie plane flew directly overhead” … the new economy: making a Number 2 album funded by t-shirt and cassette sales … growing up on Tom Jones, Shirley Bassey, Little Richard and Gary Lewis & the Playboys … Inspiral Carpets’ obsession with West Coast psychedelia … when the band all got houses with their Mute advance “and I just bought some $800 sunglasses” … great bowl-heads haircuts (Stones, Byrds, Jefferson Airplane) and why he got one too … seeing the Pistols at the Electric Circus: “I left college the next morning” … the sudden split: playing Glastonbury one minute, living on milk tokens and income support the next … his 1975 disco playing Mud, the Rubettes and Showaddywaddy (“I was a 14 year-old Ted”) … and how 24 Hour Party People captured “the spirit, chaos, colour and madness”. Order copies of ‘The Manchester Chronicles: True Tales of Music, Madness and Mayhem 1976-2006’ here: https://geni.us/manchesterchroniclesHelp us to keep The Longest Continuous Conversation In Rock'n'Roll going: https://www.patreon.com/wordinyourear Hosted on Acast. See acast.com/privacy for more information.
The Slits burned very brightly – but briefly - and were gone, their bumpy and courageous tale crisply told in Zoë Howe’s updated ‘Typical Girls?’. She looks back here at the unforgettable things they wore, said and did as “outsiders in an outsider scene”, a band celebrated before they’d even played a note. And touches on … ... how other all-girl groups got started - the Moodies, the Runaways, Fanny, the Shaggs, Goldie and the Gingerbreads … Nora Forster – Ari’s mum, German print heiress, the “punk rock Baroness Nica” who bankrolled the Slits … Ari was a 14 year-old schoolgirl, Viv Albertine was 21: “I couldn’t have a relationship with her. It was like a having a child in the band”… Nick Kent’s account of the four of them “blazing down Oxford Street” … producer Dennis Bovell’s dub reggae project with “theWitches of West London” … their fractious relationship with Island Records and Radio One … “No birds on the stage!”: the author’s life as a female drummer … and the Pop Group, Rip Rig + Panic, “humour, playfulness, the freedom to be childlike” and the long legacy of the Slits. Order ‘Typical Girls?: the Story of the Slits’ here: https://omnibuspress.com/products/typical-girls-the-story-of-the-slits-omnibus-remastered?_pos=1&_psq=typical+girls&_psid=eb748e5dc&_ss=eHelp us to keep The Longest Continuous Conversation In Rock'n'Roll going: https://www.patreon.com/wordinyourear Hosted on Acast. See acast.com/privacy for more information.
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Mark Ellen and David Hepworth have been talking about and writing about music together and individually for a collective eighty years in magazines like Smash Hits, Mojo and The Word and on radio and TV programmes like "Rock On", "Whistle Test" and VH-1. Over thirteen years ago, when working on the late magazine The Word, they began producing podcasts. Some listeners have been kind enough to say these have been very special to them. When the magazine folded in 2012 they kept the spirit of those podcasts alive in regular Word In Your Ear evenings in which they spoke to musicians and authors in front of an audience. Over these years they've produced hundreds of hours of material. As of the Current Unpleasantness of 2020, they've produced yet hundreds of hours more with a little help from guests kind enough to digitally show them around their attics such as Danny Baker, Andy Partridge, Sir Tim Rice and Mark Lewisohn.
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