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B&H Photography Podcast: Daily Summaries Delivered
by B&H Photo & Video
Join us for a conversation with insightful and entertaining guests. From gear and technique to history, science and art, we discuss the issues most important to the contemporary photographer.
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- 3 weeks ago6 min
Farewell Audio, Hello Video Podcasts, with Derek Fahsbender
The B&H Photography Podcast is getting a facelift. After more than a decade of audio-driven chats featuring many of the photo world's most inspiring voices, we're transitioning to a video podcast—in our own dedicated studio! In this short farewell to audio, podcast host Derek Fahsbender reflects on inheriting the mic, pays tribute to the show's founders and colleagues who've helped shape the show, and elaborates on all he's learned from guests who've dedicated their lives to the craft. Most important, we offer you, our listeners, heartfelt thanks for your collective role in making our show the success it is today, and we encourage you to follow along as we embark on our next chapter. Join us @bhpodcastnetwork for the same inspiring conversations in our new format. For more information on our guests and the gear they use, see: www.bhphotovideo.com/explora/podcasts Guest: Derek Fahsbender Episode Timeline: 0:35: Derek's early hesitation to step up to the podcast mic. 1:27: Paying tribute to the podcast's founders John, Allan & Jason. 2:55: What Derek learned from a recent family trip to Japan. 3:50: Inspiring thoughts from our episode with Brandon Stanton of Humans of New York. 4:46: The podcast's here and now and looking ahead to the future. Guest Bio: Derek Fahsbender is a photographer based in New York City. As Senior Producer for the B&H Event Space team, Derek works with a wide range of tech brands, as well as freelance creatives, and brand ambassadors, to develop content for educational programming. He also serves as host/moderator for the B&H Event Space's live events. Derek is an official Fujifilm Creator, Logitech Ambassador, Oberwerth Ambassador, plus host of the B&H Photography Podcast, part of the B&H Podcast Network. Stay Connected: Derek Fahsbender Website: https://www.likeamacheen.com <span l
- Jun 11, 20261h 44m
Encore: Action Sports - Auto Racing & Competitive Cycling Photography
What does it take to photograph elite athletes pushing their bodies to the point of collapse, or freeze the motion of cars hurtling by at speeds that blur the line between control and catastrophe? Two of our favorite recent podcasts went deep inside those worlds: one with Phil Penman and Kristof Ramon on the brutal beauty of competitive cycling, and the other with Camden Thrasher and Jamey Price on the relentless sensory overload that comes with photographing motor sports. While our video podcast studio gets its finishing touches, we're revisiting our archive for an encore that pairs the best of both sports—from the many stages of suffering baked into professional cycling to the wild mix of visual stimulation and sleep deprivation that comes with shooting a 24-hour endurance race. In each conversation, you'll find sparks of enlightenment that happens when photographers who thrive on adrenaline get a chance to really talk shop. The excerpts here contain the highlights. Yet, the full episodes are also worth your time—links to those are in the timeline below. And make sure to subscribe @BHPodcastNetwork to get our latest updates on YouTube, Instagram, and TikTok. Guests: Phil Penman, Kristof Ramon, Camden Thrasher & Jamey Price Episode Timeline: The Art of Competitive Cycling Photography, with Phil Penman & Kristof Ramon 3:25: Phil Penman's background in competitive cycling and how this informs his photographs of the sport. 5:48: Logistics to shooting competitive cycling and perils of damaging photo gear. 9:21: Creative aspects to competitive cycling photography and how to get impactful shots. 14:00: The many stages of suffering in competitive cycling, and the pride riders take in having this photographed. 20:02: Technical aspects of cycling photography, understanding light, capturing speed, and learning to react intuitively to the action. 25:00: Gaining access and building rapport with athletes and teams. 31:28: The back story to Kristof's book and how he identified suffering as a narrative element. 37:38: Starting out and getting credentials as a competitive cycling photographer. 41:13: Balancing the technical with an emotional response while building in certainties and calculating risk. 50:29: EPISODE BREAK <a href= "https://www.bhphot
- May 28, 202656 min
Encore: Best of B&H Music Photography Podcasts
Music photography has always been a listener favorite, and through the years we've gathered countless stories from legendary photographers about what it takes to document all aspects of the music scene. As we temporarily pause in recording new episodes while we build out a studio for video podcasts, we decided to take a trip down memory lane and feature some noteworthy clips from our 10-year archive. This compilation of favorite moments celebrates the intersection of photographic mastery and music history, with talents spanning from Lynn Goldsmith to Mick Rock, Jeanette Beckman to Graham Nash, among the many other dedicated music photographers we've had the pleasure to interview. If you'd like to take a deeper dive into any of the original episodes, you'll find links in our episode timeline below. Most important, please subscribe to @BHPodcastNetwork to get our latest updates on YouTube, Instagram, and TikTok. Featured Photograph © Jim Marshall, from the new book The Beatles By Jim Marshall: Live At Candlestick Park, in bookstores June 2, 2026 Episode Timeline: 0:58: Excerpt from The Markers of Our Bliss—Lynn Goldsmith and Rock 'n' Roll 4:22: Excerpt from Mick Rock: The Name Says It All <span style= "font-f
- May 14, 202651 min
Encore: The Art of the SNL Portrait, with Mary Ellen Matthews
"Live From New York, it's Saturday Night!" That single sentence has become a catchphrase for devotees of comedy and popular culture for more than 50 years—generations of fans who willingly turn their attentions from the height of weekend revelry to the televised antics of Saturday Night Live. As this illustrious broadcast wraps its 51st season, we're releasing an encore of our 2025 chat with SNL's photographer-in-residence Mary Ellen Matthews, while we busy ourselves backstage to bring you some exciting changes and an upcoming new look to our own show. Week in, week out for more than two decades, Mary Ellen has conjured visual magic behind the scenes, creating inventive and irreverent portraits that air for three seconds each as so-called "bumpers" that transition to and from the show's commercial breaks. During our spirited chat about what is arguably the world's best photo gig, we follow Mary Ellen from a fateful 1993 phone call, inviting her to assist the show's founding photographer Edie Baskin, through her journey from mentee to team leader. Along the way, we pull back the curtain on the creation of some iconic images and learn what it takes to be "in the driver's seat [with] a whole busload of very important people to take care of." "My job is to make this easy and fast," she notes. "And I don't want anyone to be overthinking anything because they've got enough to worry about with all the sketches and all the pre-tapes and their responsibilities to the rest of the show, which is the most important thing." Episode Timeline: 3:00: Living the dream as SNL's resident photographer while being creative under stressful deadline pressure. 4:44: Mary Ellen's early immersion in photography, at the side of her hobbyist father. 6:56: Arriving in NYC, early work for a record label, and the call to assist SNL's founding photographer in residence, Edie Baskin. 11:55: SNL's transition from film to digital, plus the cameras Mary Ellen shoots with today. 15:37: Conceptualizing the weekly portrait shoots and collaborating with subjects. 20:31: Behind-the-scenes of a dicey photo shoot, plus SNL's weekly production timeline. 27:25: Episode Break 28:12: Beyond portraits, the images Mary Ellen shoots as props for SNL sketches—sometimes with a 4x5. 33:11: The scheduling of SNL portrait shoots and getting portrait subjects to have fun. 36:34: Testing for shoots, the atmosphere on-set, and flying by the seat of your pants. 40:06: <span style= "font-family:
- Apr 30, 20261h 13m
Unit Set Photography: Myles Aronowitz & Cara Howe
Photography has plenty of different specialty areas—portraits, sports, fashion, food, still life—to name just a few. In today's show we're going to investigate a specialty that involves all these subjects, while calling for a photographer who is technically precise, emotionally intuitive, and practically invisible, all at once. It's a corner of the industry people rarely consider, but one that holds massive influence over our cultural lives. This is the domain of the Unit Set Photographer: the person responsible for the pictures that sell a film or a show before anyone else has seen a frame of it. During a spirited conversation with photographers Myles Aronowitz and Cara Howe, we pull back the curtain on what it really feels like to toil on set, build trust with talent, and come away with great images under conditions that are rarely in your favor. In addition to learning the origin stories to their intense, multifaceted careers, we distinguish between work on feature films and tv productions, reveal the secret superpowers of stealth and stillness essential for success on set, describe how to build alliances across an film entire crew, and talk about value of the global shutter to combat banding with LED lights. Or, as Myles sums things up in a nutshell, "One of the great things about being a still photographer on set is you're basically observing everything. I think of it as a learning experience every day." Episode Timeline: 3:26: Defining the role of a unit set photographer and how it fits into a larger film or tv production. 8:24: How Myles first got into photographing stills for movie sets in the analog days. 11:22: Cara's career path to working on films, joining the union, and becoming a unit set photographer. 16:54: Digging deeper into the multifaced role of still photographer on movie sets. 20:50: Does your work on a film set affect how you experience the finished production? 22:28: Making distinctions between work on a feature film set vs a tv production. 35:40: The importance of relationships with other crew members, from the assistant director to the lighting crew to the sound department. 40:35: Episode Break 41:22: The sound blimp days of working with film and DSLRs before the switch to mirrorless. 52:37: The cameras and lenses Myles & Cara work with on set. 57:12: Booking gigs, work schedules & downtime between jobs in both feature films and tv productions. 1:00:03: Post-production and turn-around time for delivering files.</s
- Apr 16, 20261h 12m
Photographing the Winter Games: Jean Fruth
Sports photography hinges on freezing peak action—transforming a high-speed blur into a dramatic portrayal of human effort. When you combine that with the unyielding drive of elite athletes on the world stage, the pressure to nail the shot provides an incredible adrenaline rush. In today's podcast, we discuss the unique challenges of documenting history in the making and unpacking stories from the Winter Games with renowned sports photographer Jean Fruth, recently back from her first Olympics. From a hectic scramble on arrival in Milan—getting to the arena and gearing up as her first game was already in progress—to the detailed planning and creative insights she brought to every second of the ensuing competition, Jean shares her front row seat at the Games. We also follow her behind the scenes and learn how she negotiated a special request for access and her diplomatic response that transformed an unqualified maybe into a yes. As she notes during our chat, "My Olympics was an intense women's hockey Olympics. It was—I have a chance to make something special, something different. I have two and three games per day. I'm here for almost three weeks. I have a chance to make all kinds of pictures. So, I'm not going to play it safe." Episode Timeline: 2:24: Jean's shift from baseball to hockey to promote women's sports, plus her path to photographing hockey at her first Olympics. 13:11: The high-pressure logistics behind Jean's arrival in Milan with her first game already in progress. 21:52: Photographing day two and connecting with her photography heroes. 24:30: Jean's creative approach to photographing hockey at the Games, plus the challenge of shooting through plexiglass. 28:07: Chasing the story behind Women's Olympic hockey games and the Professional Women's Hockey League (PWHL). 30:02: The ask to shoot behind-the-scenes and Jean's approach to dealing with a maybe. 35:06: Episode Break 35:51: Jean talks about her gear and the tools available to photographers in the media center. 44:21: Lugging her gear to a prime Opening Ceremonies vantage point despite wrong directions, plus the pizza delivery service that sustained her during overnight editing sessions. 50:57: Derek and Jean talk lighting, camera settings, and using a preset to pan with action shots. 54:26: The challenges of shooting th
- Mar 25, 20261h 1m
Pictures in Space, featuring NASA Astronaut Donald Pettit
Above Photograph © Donald Pettit, NASA At its best, photography draws from both science and art, to give resulting images a dual purpose—aesthetic innovation and scientific merit. And when that photography happens from the windows of the International Space Station, capturing star trails, city lights, and our blue planet against the void of space, it becomes something truly transcendent. In today's show, we're privileged to chat with NASA Astronaut Donald Pettit, a scientist, inventor, and photographer who has spent nearly two years living, working, and making pictures in orbit. Some fun take aways from our chat include: How photographing in a microgravity environment can turn a traditional group portrait into bodies scattering like bowling pins when the photographer tries to join the shot. The vast perspective when viewing out a window of the ISS—on the order of half a continent—rather than a 50-to-100-kilometer horizon on earth. The stratospheric volume of imagery captured during a mission, and the discerning Lightroom workflow Don uses to retrieve individual photos from his archive at home. The importance of a humble synch cord to connect two cameras and render the "many decades of brightness" on an EV scale as a single HDR image to illustrate the rapid transition from day to night that occurs in orbit. And, finally, how Don has taken the concept of synchronized imagery to a cosmic level by pairing the same phenomena he captures from orbit with a complementary view recorded from earth, in collaboration with astrophotographer Babak Tafreshi. As Don explains towards the end of our chat, "I'm a big proponent of the concept of a frontier. My frontier happens to be space, but there are frontiers all around us." He then shares this parting advice: "So just explore the frontiers that present themselves to you, the frontiers that you're motivated to go to. And just open your eyes and collect data, and then record or write about it, because you could make an observation and if you don't somehow share that with others through publications or imagery, it's almost as if it's never been done." Guest: NASA Astronaut Donald Pettit Episode Timeline: 2:06: Donald Pettit's introduction to photography, plus connections between his love of science and his creative vision. 5:51: Don's first space flight in 2002 - 2003, using both film and digital cameras, plus the learning curve on the ground to prepare for photographing in space. 10:36: The success rate when shooting with film and challenges to photographing in orbit. 13:42: From photographing with a barn-door tracker to Don's recent use of an orbital sidereal tracker. 19:07: Advances in digital camera technology, Don's relationship with NASA photo trainers, and challenges to capturing group shots in microgravity. 23:43: Don's most memorable photos from space, the advantages of pro-level camera technology, plus his personal everyday camera—the Nikon Z9. 29:38: Episode Break 30:33: The benefits to fast glass for nighttime images, plus Don's reluctant transition to mirrorless technology. 33:57: Capturing the colors of city lights, plus the spread of cosmic fireflies—commonly known as Starlink satellites 37:54: Changes on Earth that affect a view from space, plus the extra gear list for Don's next flight. 42:10: The volume of images captured during a mission, Don's Lightroom workflow at home, plus taking notes on the ISS for future reference on Earth. 49:32: Don's Antarctic expedition to hunt for meteorites, and the creative potential of a frontier environment. 53:17: Don's project From Above and Below with astrophotographer Babak Tafreshi, plus the unicorns in space he hopes to capture on future missions. 57:52: Parting advice about chasing your dreams—Explore the frontiers that present themselves, open your eyes, record your observations, and share them with others. Guest Bio: Donald Pettit is NASA astronaut and a veteran of four spaceflights, logging more than 590 days in space, primarily on the International Space Station. Currently NASA's oldest active astronaut, Don's missions have focused on scientific research into topics that include microgravity, 3D printing, water purification, and plant growth. He's also known for his remarkable in-space inventions, stunning astrophotography, and engaging educational content that makes space science engaging and fun. A native of Silverton, Oregon, Pettit was selected as an astronaut candidate in 1996. He holds a bachelor's degree in chemical engineering from Oregon State University and a doctorate in the same field from the University of Arizona. Prior to joining NASA, Pettit worked as a staff scientist at the Los Alamos National Laboratory in New Mexico. Stay Connected: Donald Pettit on the NASA Website: https://www.nasa.gov/people/donald-r-pettit/ Donald Pettit Instagram: https://www.instagram.com/astro_pettit/ Donald Pettit on X: https://x.com/astro_Pettit Donald Pettit's Wikipedi
- Mar 12, 20261h 18m
Two Generations of Top Photo Agents with Jennifer Perlmutter & Michael Ash
One of the most polarizing questions in the mind of any photographer is "Should—or shouldn't I—get an agent?" The role of an agent in a photographer's career is often misunderstood, leading hungry creatives to think that securing representation is their number one key to success. In truth, the relationship between a photographer and agent is far more nuanced than simply booking more assignments. In today's podcast, we take a deep dive into this complex alliance in a discussion with two generations of top agents, whose combined careers span from the film-era to the latest in media buys. Listen in for a behind-the-scenes look at the many details involved, from the four P's Jennifer (JP) Perlmutter looks for in a photographer's work to Michael Ash's skill in editing a portfolio to allow a photographer's individual vision and passion to shine. Our experts also shed light on critical topics such as branding, while making distinctions between a physical and emotional brand. Get fresh insights about standing out in an oversaturated marketplace and the matter of seeing ahead of the curve on trends. As JP notes, "You don't have to hop on the current trend. You don't need to create the new trend. You need to create what's true to you, what's true to your vision, and then know that there are enough people out there—that there is your niche. There are the people who are going to love what you're doing." Guests: Jennifer Perlmutter & Michael Ash Episode Timeline: 3:16: Is there a difference between the terms agent and rep? 4:11: Michael Ash on his start as an agent in late 1970's New York. 7:46: Jennifer Perlmutter talks about her beginnings at the dawn of social media. 12:25: Having a good eye for talent, plus the qualifications and skillsets needed to be a rep. 16:54: Producing as part of an agent's role, plus a peek inside relationships between photographers and a rep. 20:16: Navigating connections between clients, photographers, and reps—plus contracts. 27:34: An agent's role in protecting a photographer's interests, plus their skill in editing and curating the work. 35:46: JP describes the Four P's—what she looks for in a photographer's work. 43:14: Episode Break 44:36: To brand or not to brand, plus distinctions between physical and emotional branding. 47:28: How do you stand out in an oversaturated marketplace and hone a unique vision? 53:29: The current trend for nostalgia and harkening back to the analog world. 57:56: Michael and JP discuss today's advertising marketplace and usage rates. 1:01:08: The matter of taste vs analytics in today's commercial marketplace. 1:04:21: How do you see ahead of the curve or know which trends are worth jumping on? Where do we go from here? 1:11:14: Apostrophe's mentorship program, advice for young creatives, and some thoughts on AI. Guest Bios: Michael Ash is a photographers' agent and creative consultant who began representing photographers in 1979, after failing to get drafted into Major League Baseball. Born in Brownsville, Brooklyn, and raised on the streets of New York, Michael founded and led a successful agency in New York City from 1979 to 2016, focused on guiding the careers of more than 40 photographers from around the globe. He introduced this international talent to the world of commercial photography through representation, creative direction, and mentorship. Michael is an expert in contract negotiation, editorial curation, and client development. Most importantly, he has a lifelong dedication to nurturing artistic vision and unique creativity. Jennifer "JP" Perlmutter is currently a senior photo and motion rep at Apostrophe, with nearly two decades of experience representing and producing for photographers and directors across commercial and editorial realms. A 2006 graduate of Emerson College, where she studied advertising and visual arts, JP fell in love with photography early on and built a career at the intersection of creativity and commerce. She's known for her collaborative approach, sharp production insight, and deep commitment to artist development, especially when it comes to mentoring emerging talent. Possessing a robust skill set that includes artist representation, marketing strategy, photography, print production, social media and more, JP has built meaningful connections between artists, agencies, and brands, helping creatives collaborate authentically and thrive. She's passionate about championing visual storytellers and creating space for new voices in an ever-evolving industry. Stay Connected: Michael Ash on Instagram: https://www.instagram.com/michaelash_original/ Michael Ash on LinkedIn: https://www.linkedin.com/in/michaelash2/ Jennifer Perlmutter on Instagram: https://www.instagram.com/jnperl/ Jennifer Perlmutter on LinkedIn: https://www.linkedin.com/in/jperlmutter/ Apostrophe Reps Website: https://apostrophe.is/ Apostrophe Reps on Instagram: https://www.instagram.com/apostrophereps/
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