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Cannonball with Wesley Morris: Daily Summaries Delivered
by The New York Times
Conversations about the culture that moves us – the good, the bad and whatever’s in between. Every week, critic Wesley Morris talks with writers and artists about the moment we’re in. Surprisingly personal and never obvious, new episodes drop Thursdays.
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- Yesterday51 min
Is Broadway Going Easy On Us?
Each spring, in the months leading up to the Tony Awards, Wesley Morris tries to see as many Broadway shows as he can. And this season’s spree (including “Ragtime,” “Cats: The Jellicle Ball,” “Proof,” “Dog Day Afternoon” and “Giant") left him with the question: Where are the challenging shows? There were some great performances, but the productions seemed designed to reflect his values and make him feel good. Doesn’t the best theater raise uncomfortable questions, and not give clear answers? Shouldn’t the shows vying for Broadway’s top awards be a bit more difficult? To work through these feelings, and to help wrap his head around this season, Wesley invites Helen Shaw, The Times’s chief theater critic, to compare notes. Subscribe today at nytimes.com/podcasts or on Apple Podcasts and Spotify. You can also subscribe via your favorite podcast app here https://www.nytimes.com/activate-access/audio?source=podcatcher. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.
- 1 weeks ago53 min
Over 20,000 Restaurants in New York City. Only One List
A list, according to The Times’s co-chief restaurant critic Ligaya Mishan, can be a way “to make sense of chaos” and to also “destabilize the current order.” Her list of “the 100 Best Restaurants in New York City in 2026” takes that spirit to heart. A taco truck in Queens (Birria-Landia) serving $5 consommé sits alongside a Caribbean fine dining spot in Manhattan (Kabawa) with a $145 tasting menu. Ligaya makes a compelling argument that imaginative, ambitious, delicious food can be found at every price point and in every corner of this city. On today’s episode, Wesley talks with Ligaya about how she put together such an expansive and inclusive list. They dig into a few of her greatest meals, wrestle with some readers' discomfort with having casual spots ranked next to fine dining restaurants and, most of all, celebrate the culinary wonder that is New York City. Subscribe today at nytimes.com/podcasts or on Apple Podcasts and Spotify. You can also subscribe via your favorite podcast app here https://www.nytimes.com/activate-access/audio?source=podcatcher. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.
- 2 weeks ago55 min
Is 'Colbert' the Wrong Late Show to Cancel?
The “Late Show with Stephen Colbert” ends this week. When CBS announced the show’s cancellation last summer, the network said in a statement that it was “purely a financial decision against a challenging backdrop in late night.” There’s still some debate around what happened and why, but for Wesley Morris, the demise of the long-running franchise brought up feelings about another late-night show: “Saturday Night Live.” Maybe, after 51 years, “S.N.L.” should end too. So Wesley invited Jason Zinoman, a Times critic at large, to discuss “S.N.L.” and the beleaguered state of late-night television. What is worth saving? Subscribe today at nytimes.com/podcasts or on Apple Podcasts and Spotify. You can also subscribe via your favorite podcast app here https://www.nytimes.com/activate-access/audio?source=podcatcher. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.
- 3 weeks ago13 min
The Devil Wears Prada, Workers Get Nada
Wesley Morris liked “The Devil Wears Prada 2” more than he thought he would. He didn’t need this sequel, but it captures the spirit of the original well enough. Miranda and Andy, played by Meryl Streep and Anne Hathaway, are the same. Miranda still queen and Andy still a grunt. But this time around Andy is a grunt with a staff and a little bit power. She moved on up! This got Wesley to thinking: What happened to the stories about working class people? Ones about folk with basic, common man smarts being just as good (if not better) than elites at the top? Blue collar workers and the middle class used to dominate the screen. Now their bosses are taking center stage. And so, Wesley looks back on how one onscreen trend led to the other. Subscribe today at nytimes.com/podcasts or on Apple Podcasts and Spotify. You can also subscribe via your favorite podcast app here https://www.nytimes.com/activate-access/audio?source=podcatcher. Hosted by Simplecast, an AdsWizz company. See https://pcm.adswizz.com for information about our collection and use of personal data for advertising.
- 4 weeks ago1h 1m
In Defense of the NYT's 'Greatest Songwriters' List
The public outrage was inevitable. The New York Times Magazine published a list of the 30 greatest living American songwriters. Two hundred and fifty music insiders submitted ballots. Six Times music critics and writers sorted through it all to get to 30. For Wesley Morris, it was both daunting and thrilling. Luminaries like Bonnie Raitt, George Clinton, Lin-Manuel Miranda and Mariah Carey submitted ballots. How to honor those submissions while narrowing down and exercising a critic’s judgment? Nearly 6,000 comments later, one thing is clear: Everybody’s a critic. Many are asking the nagging question, “How can you leave out so-and-so?!” Our critics included! So, Wesley invites a few of the project’s participants, Jon Caramanica and Joe Coscarelli, the hosts of “Popcast,” and Sasha Weiss, a deputy editor of The Times Magazine, to rehash it all out. Subscribe today at nytimes.com/podcasts or on Apple Podcasts and Spotify. You can also subscribe via your favorite podcast app here https://www.nytimes.com/activate-access/audio?source=podcatcher. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.
- Apr 30, 202647 min
‘Michael’ Is Pure Propaganda
“Michael,” the new Michael Jackson biopic, knows what it’s doing. That’s clear from the opening shot: high-water pants and white socks pushed down to a pair of black penny loafers. It’s appealing to a very specific version of our memories of Michael Jackson. The version some of us prefer to hold onto. But in doing so, it avoids the truth. Our qualms with the King of Pop? Forget about that. Be horrified by Joe Jackson’s abusive parenting. Where’s Janet Jackson and Diana Ross? Nevermind them. Look, it’s Bubbles the chimp! The child molestation allegations? Eh, let’s just play another No. 1 hit instead! Besides, moviegoers are not complaining. “Michael” crushed box office records. With the best opening weekend for a biopic ever, it’s a hit. None of this comes as a shock to Wesley Morris, but he’s left with some complicated feelings. His pal, the film curator Eric Hynes, shares these feelings, too. Together, they review the movie and wrestle with the Michael Jackson biopic that could have been. Subscribe today at nytimes.com/podcasts or on Apple Podcasts and Spotify. You can also subscribe via your favorite podcast app here https://www.nytimes.com/activate-access/audio?source=podcatcher. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.
- Apr 23, 202641 min
Does 'The Drama' Know Zendaya Is Black?
Wesley loves Zendaya. The actress caught his eye as the charming but drug addled Rue in HBO’s “Euphoria.” But he thinks Hollywood hasn’t cast her in roles worthy of her considerable gifts. So when Zendaya showed up in the movie “The Drama” as a young Black woman with a secret from her past that threatens to derail her engagement to Robert Pattinson’s character, Wesley was cautiously optimistic. Here were two of Hollywood’s finest in a complex, high stakes, love affair — one made even more interesting by its interracial realities. But the movie inexplicably dodges the question of race. So Wesley invites Gina Cherelus, who covers dating and culture at The New York Times, to help him unpack "The Drama" — what it knows, and doesn’t, about what it’s up to. Subscribe today at nytimes.com/podcasts or on Apple Podcasts and Spotify. You can also subscribe via your favorite podcast app here https://www.nytimes.com/activate-access/audio?source=podcatcher. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.
- Apr 16, 20261h 12m
‘Popcast’: Jack Harlow Talks Race and Ego
“Cannonball” is on its last week of spring break, so we’re sharing an episode of “Popcast” that features Jack Harlow discussing his pivot to R&B. In a viral clip from this episode, Harlow, a white musician, says, “I got Blacker.” Wesley was struck by Harlow's honesty and the questions raised by the full conversation. Subscribe today at nytimes.com/podcasts or on Apple Podcasts and Spotify. You can also subscribe via your favorite podcast app here https://www.nytimes.com/activate-access/audio?source=podcatcher. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.
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About Cannonball with Wesley Morris
Conversations about the culture that moves us – the good, the bad and whatever’s in between. Every week, critic Wesley Morris talks with writers and artists about the moment we’re in. Surprisingly personal and never obvious, new episodes drop Thursdays.
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